Adultery Mr. & Mrs. Kapoor: The Bisexual Couple - They hunt together.

[ashuezy2]

Introduction: The Main Players
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Mr. Kapoor, a distinguished man in his 50s, was an impeccably dressed and highly successful businessman, exuding an air of confident sophistication. He was a man of particular desires, possessing a "special ability" for experiencing profound pleasure through his 9 inch dick being sucked by other men. This wasn't merely a casual indulgence; it was a core aspect of his liberated sexuality.

His wife, Mrs. Kapoor, equally elegant and discerning, was not only aware of her husband's desires but actively participated in them with the wives. She found a deep, almost voyeuristic satisfaction in watching his gay experiences, deriving immense pleasure and empowerment from orchestrating and witnessing his intimate encounters with other men. Together, they were a couple who lived by a philosophy of unbound desire, constantly seeking out new opportunities to explore and expand the limits of pleasure and connection. They were always on the lookout for individuals, especially couples, who, despite their outwardly conventional lives, might secretly harbor unacknowledged desires or a yearning for something more, for "gay experiences" that could enrich their own lives.

Saga 1 - Scene 1 - The Kapoor & Verma Saga: A Journey Into Unbound Love
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Mr. Verma, a young man in his late 20s, was earnest, shy, and somewhat unassuming. He had recently married Mrs. Verma, a sweet-natured and pretty woman also in her late 20s. They were, by all accounts, a "very normal couple," having met through traditional channels and embarked on a conventional path to marriage. Their life was orderly, predictable, and devoid of any overt displays of passion or unconventional desires. They represented the quintessential young, conservative, and recently married couple in their community. Their life story was one of simple expectations and quiet routines, a stark contrast to the Kapoors' world.
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Initial Meeting: Sensing Vulnerability

Social Event - Evening

Setting:
A bustling, well-lit community hall, decorated for a social gathering (an anniversary party for mutual friends). Soft classical Indian music plays in the background. Guests mingle in small groups. A long buffet table with Indian cuisine is in the background.

Clothing:
Mr. Kapoor: Impeccably dressed in a custom-tailored dark grey suit, crisp white shirt, silk maroon tie.
Mrs. Kapoor: Elegant, form-fitting emerald green silk sari, dbangd gracefully, prominent cleavage.
Mr. Verma: Neat light blue dress shirt, tucked into khaki trousers.
Mrs. Verma: Neat, sweet-natured sky-blue cotton sari with a matching sky-blue cotton blouse.

Scene 1:
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Mr. and Mrs. Kapoor observe Mr. and Mrs. Verma from across the room.
Mr. Kapoor's eyes narrow slightly, observing Mr. Verma's polite but somewhat stiff posture.
Mrs. Kapoor's gaze lingers on Mrs. Verma's quiet smile.

Mr. Kapoor (internal): "Yeh Verma ladka thoda shaant aur vulnerable sa lagta hai. Aankhon mein kuch raz hain."
(This Verma boy seems a bit hidden and vulnerable. There are some secrets in his eyes.)

Mrs. Kapoor (internal): "Uski patni... bahut sundar hai, par thodi dari hui lagti hai. Chupi hui aag hai uske aandar." (His wife... she's very beautiful, but seems a little scared. There's a hidden fire inside her.)

The Kapoors, with their discerning eyes, spot the subtle signs of unacknowledged desires beneath the Vermas' conventional exterior.

===

Mr. Kapoor's face and Mr. Verma's face each other as they are introduced by a mutual friend.
Mr. Kapoor extends a firm handshake to Mr. Verma.
Mr. Verma's hand trembles slightly. Mr. Kapoor's gaze is piercing, sensing vulnerability.

Mr. Verma: "Namaste, Mr. Kapoor. Aapse milkar khushi hui."
(Hello, Mr. Kapoor. Pleased to meet you.)

Mr. Kapoor: "Namaste, Verma sahab. Mujhe bhi.......! Aapki patni bhi saath hain?"
(Hello, Mr. Verma. Me too. Is your wife also with you?)

Mr. Verma: "Haan, Mr. Kapoor."
(Yes, Mr. Kapoor.)

Mr. Kapoor (internal): "Hmm. Shaky haath. Yeh ladka aandar se bahut kuch chupata hai."
(Hmm. Shaky hand. This boy hides a lot inside.)

Their first physical contact confirms Mr. Kapoor's suspicions of a hidden, responsive nature in Mr. Verma.

===

Mrs. Kapoor approaches Mrs. Verma.
Mrs. Kapoor gives Mrs. Verma a warm, yet subtly lingering hug feeling each others big bust through the clothing.
Mrs. Verma's body stiffens momentarily, then relaxes into the embrace.

Mrs. Kapoor: "Mrs. Verma! Kitna acha hai aapse milna! Aap bahut pyari lag rahi ho."
(Mrs. Verma! How good it is to meet you! You look very lovely.)

Mrs. Verma: "Thank you, Mrs. Kapoor. Aap bhi."
(Thank you, Mrs. Kapoor. You too.)

Mrs. Kapoor (internal): "Soft body. Thodi dari hui, par responsive. Yes. She's ready."
(Soft body. A little scared, but responsive. Yes. She's ready.)

Mrs. Kapoor's embrace, though brief, reveals Mrs. Verma's subtle receptiveness, signaling a deeper potential for connection.

===

Mr. Kapoor talks to Mr. Verma, while Mrs. Kapoor talks to Mrs. Verma.
Mr. Kapoor subtly steers the conversation towards Mr. Verma's "hobbies" or "interests" that might involve personal exploration. Mrs. Kapoor engages Mrs. Verma in talk about "stress" or "unfulfilled desires" in married life.

Mr. Kapoor: "Verma sahab, aapko apni life mein kuch naya explore karna pasand hai?"
(Mr. Verma, do you like to explore something new in your life?)

Mr. Verma: "Naya...? Main toh... main jaisa hoon wahi theek hoon."
(New...? I am... I am fine as I am.)

Mrs. Kapoor: "Mrs. Verma, kya kabhi aapko aisa laga hai ki kuch chupa hua hai jo aapko pura kar sakta hai?"
(Mrs. Verma, have you ever felt that there's something hidden that can complete you?)

Mrs. Verma: (Looks down, shyly) "Main... main nahi janti."
(I... I don't know.)

The Kapoors subtly probe, planting seeds of curiosity and hinting at deeper, unacknowledged desires within the seemingly conventional Vermas.

===

Mr. Kapoor's eyes gleam. He extends an invitation for a private dinner at the Vermas' home.

Mr. Kapoor: "Verma sahab, hum kal raat dinner par aapke ghar aa sakte hain? Aapko aur better janne ke liye."
(Mr. Verma, can we come to your home for dinner tomorrow night? To know you better.)

Mr. Verma: "Zaroor, Mr. Kapoor! Yeh hamare liye samman hoga."
(Certainly, Mr. Kapoor! It would be an honor for us.)

The invitation is extended and accepted, a subtle maneuver setting the stage for the intimate events to unfold in the Vermas' private world.

===

To be Continued..

[RajV]

A good plot , waiting for it to grow.

[ashuezy2]

Saga 1 - Scene 2 - The Kapoor & Verma Saga: A Journey Into Unbound Love
===============================================


The Verma Home is a symbol of conventional formality.

The Kapoor couple’s entry was slow, suspenseful, creating an atmosphere of a fresh beginning. From the outside, the Verma family’s house looked perfectly ordinary with a neat gate, a small garden, and a two storey home that could be any middleclass family’s dream. But today, there was nothing ordinary about this house. Evening was settling in, and the air carried a strange fragrance, hinting that they had come here for something special. Mr. and Mrs. Kapoor are now standing at the gate. Mr. Kapoor was standing like a hunter in his dark grey suit. His eyes were looking at the house as if searching for some hidden treasure. There was a strange confidence in his body language which was telling that he has come here to do something special.

Ms. Kapoor looked extremely hot in her emerald green saree. Her chest peeking out from her deep cleavage was proof of her sexiness. Her eyes were also on the house. But there was a different sparkle in her eyes as if she knew what was going to happen tonight. There was a slight smile on her lips as if she was hiding some sweet secret.

The camera zoomed in on Mr. Kapoor’s hand. He raised it, his finger pressing the doorbell.

The chime was unnaturally loud in the quiet evening, a single, sharp note that shattered the placid silence. There is silence for two moments. Then, the lock clicked, and the door swung inward.

Mr. Verma stood framed in the doorway, a lamb greeting the wolves. He had changed into a fresh shirt, but a sheen of nervous sweat glistened on his brow. His smile was a fragile, rehearsed thing.

Mr. Verma:
"Aaiye, aaiye Mr. and Mrs. Kapoor. Welcome."
(Come in, come in Mr. and Mrs. Kapoor. Welcome.)

His eyes couldn't quite meet theirs, skittering from Mr. Kapoor’s imposing frame to Mrs. Kapoor’s dazzling form and back again.

Mr. Kapoor (his voice a low, calming rumble that did nothing to calm):
"Thank you, Verma sahab. Badi meherbani."
(Thank you, Mr. Verma. Very kind of you.)

The camera slowly focuses his expensive leather shoes, her jeweled sandals as they crossed the threshold and then on the atmosphere of the room. As soon as Mr. and Mrs. Kapoor enter the house, the atmosphere of the house changes. Now there is a strange tension in the air.

Mr. Kapoor took a deep breath as soon as he came inside. Now even the common smell of Mr. Verma's house started seeming special to him.

Mrs. Kapoor's eyes were roaming all over the living room.

She saw that the walls were clean. The sofas were decorated. But She felt that there was a hidden thirst in this house which was yet to be quenched.

Mrs. Kapoor (a silent, contemptuous prayer):
"Kitni shanti hai ghar ke bahar. Lekin andar kitna kuch daba hua hai. Aaj raat, har chupi hui khwahish ko bahar nikalungi. Inhe woh azaadi dungi jiska yeh sapna bhi nahi dekh sakte."
(This house is so peaceful from the outside. But so much is suppressed inside. Tonight, I will bring out every hidden desire. I will give them a freedom they cannot even imagine.)

Mr. Kapoor (his own internal litany, a sensual smile touching his lips):
"Is ghar mein ek pyas hai. Ek ankahee pyas. Aaj raat yahan mohabbat ki ek nayi kahani likhi jayegi."
(There is a thirst in this house. An unspoken thirst. Tonight, a new story of love will be written here.)

Just then, a faint sound of clinking bangles announced a new presence. Mrs. Verma emerged from the kitchen, wiping her hands on a corner of her cotton saree.

In the soft light of her own home, she looked younger, prettier, and even more vulnerable. Her eyes were wide as she took in the sight of her guests.

Mrs. Verma (her voice soft, almost a whisper):
"Namaste. Please, baithiye."
(Hello. Please, have a seat.)

Mrs. Kapoor’s smile widened, her eyes drinking in the sight of the younger woman.

Mrs. Kapoor:
"Arre, aap toh aur bhi sundar lag rahi hain ghar par, Mrs. Verma. Bilkul ek gharelu lady."
(Oh, you look even more beautiful at home, Mrs. Verma. Just like a housewife.)

The compliment was a silken arrow, and it struck true. A deep blush crept up Mrs. Verma's neck.

Mrs. Verma:
"Thank you... aap bhi... bahut..."
(Thank you... you too... very...)

She trailed off, unable to find the right word to describe the overwhelming elegance of her guest.

Mr. Kapoor settled into the largest armchair as if it were his throne, his presence dominating the small room. He gestured for Mr. Verma to sit beside him.

Mr. Kapoor:
"Aapka ghar bahut pyara hai, Verma sahab. Bahut sukoon hai yahan."
(Your house is very lovely, Mr. Verma. It's very peaceful here.)

Mr. Verma (perching nervously on the edge of the sofa):
"Ji, ji... thank you, sir. Humne simple hi rakha hai."
(Yes, yes... thank you, sir. We've kept it simple.)

Mr. Kapoor to Mrs. Verma:
"Simple cheezon mein hi asli khoobsurti hoti hai. Hai na?"
(True beauty is found in simple things. Isn't it?)


He said it while looking directly at Mrs. Verma, who was still standing awkwardly near the kitchen doorway. The implication was not lost on her. She felt his gaze like a physical touch, and she instinctively crossed her arms over her big breasts.

Mrs. Kapoor rose and walked over to Mrs. Verma, placing a gentle hand on her shoulder.

Mrs. Kapoor:
"Itni mehnat mat kijiye, dear. Hum mehmaan hain, ajnabee nahi. Aaram se baithiye hamare saath."
(Don't work so hard, dear. We are guests, not strangers. Sit and relax with us.)

Mrs. Verma:
"Ji... main bas paani le aati hoon."
(Yes... I'll just get some water.)

Mr. Verma:
"Haan haan, paani lao. Aur kuch snacks?"
(Yes yes, bring water. And some snacks?)

Mr. Kapoor (raising a hand, stopping them):
"Kuch nahi, Verma sahab. Pehle hum aapse baatein karna chahte hain. Aap dono se. Phir dinner karenge."
(Nothing, Mr. Verma. First, we just want to talk to you. To both of you. Then we will have dinner.)

His tone was gentle, but it was a command. Mrs. Verma hesitated for a moment, then nodded and took a seat on the far end of the sofa, as far from the guests as possible.

Mrs. Verma:
"Khana taiyaar hai. Jab aap kahenge, laga dungi."
(The food is ready. I will serve it whenever you say.)

Dinner was a quiet affair, punctuated by the clinking of silverware and the Kapoors' easy, flowing conversation. They spoke of art, of travel, of philosophy, painting a picture of a world so vast and vibrant it made the Vermas' own life feel like a small, colorless sketch.

Under the pretense of clearing the plates, Mrs. Verma escaped to the relative safety of the kitchen. She needed a moment away from their overwhelming presence, a moment to feel her own floor beneath her feet. She stood at the counter, her back to the door, arranging sliced mangoes and papaya onto a platter, the simple, repetitive task a small anchor in a swirling sea of confusion.

Mrs. Kapoor, the huntress of her deepest desires, reached out to Mrs. Verma from the dining room into the kitchen. Mrs. Verma whose heart was still beating a little faster today than with the beats of her normal life.

She did not hear Mrs. Kapoor approach.

The first contact was a ghost of a touch, a feather light brush of fingertips against her back, just above the edge of her saree. It was so faint, it could have been an accident, a trick of her strained nerves.

Mrs. Kapoor (her voice a soft murmur, close to Mrs. Verma's ear):
"Sab kuch bahut tasty tha, dear. You are a wonderful cook."
(Everything was very tasty, dear. You are a wonderful cook.)

Mrs. Verma jumped slightly, a small gasp escaping her lips.

Mrs. Verma:
"Oh! Mrs. Kapoor... aap! Thank you."
(Oh! Mrs. Kapoor... you! Thank you.)

She tried to turn, but Mrs. Kapoor’s hand was no longer a ghost. It rested now, warm and firm, on her waist. The touch was not aggressive, but it was possessive, undeniable. It held her in place. Mrs. Kapoor’s other hand came to rest on her opposite hip, caging her gently.

Mrs. Kapoor’s hand began a slow, deliberate ascent, her fingers tracing the curve of Mrs. Verma’s waist, the line of her hip. The silk of Mrs. Verma's sari was a thin, useless barrier against the confident heat of that touch. A shiver traced its way up Mrs. Verma's spine. Her shoulders went rigid, her hands freezing over the plate of fruit.

She should pull away. She should say something. But her limbs were leaden, her throat tight.

Mrs. Kapoor leaned in closer, her body a source of radiant heat. And then, Mrs. Verma felt it a soft, yielding pressure against her back. The full, heavy weight of Mrs. Kapoor’s breasts, pressing into her through the thin cotton of her blouse. It was an impossible, electrifying sensation. The contact was intimate, shocking, and overwhelmingly female. It was a touch for which her simple, conventional life had no frame of reference.

To be Continued..