08-01-2019, 12:58 AM
Shaily wasn't just smart. While most of her peers and professors appreciated Shaily and regarded highly of her for her smartness, she also had the body of a raunchy sexual goddess. She was deliciously meaty, with the perfect amount of ripe woman flesh in all the right places. Added to her sexy voluptuous figure was the fact that she was white-complexioned which made her standout in the eyes of all the lusty men in college - be it her peers, the professors or the working staff of her college. They all always had their eyes on Shaily when she was around and made sure they caught a glimpse of her sexy body in her sexy outfits that she usually wore to college. The guys were also always mindful of Shaily's occasional instances of wardrobe malfunctions where she would end up displaying more of her sexy body than she intended, thereby making all the men around her gleeful.
Having such a sexy voluptuous body to her name, Shaily had earned quite the admirers from both the genders in her college, especially, of course, the men. Her luscious 36DD breasts and her huge shapely ass accentuated all the sensuous curves in her body that put the whole zero-size ideology to shame. Her stomach was beautifully fleshy, thought not something someone would even remotely call obese or fat. She had beautiful sexy thunderous thighs that all men seemed to lust whenever she wore a short or skirt to show them off. It was all pure sexy meat and flesh, put in all the right places. In addition to that, Shaily had a wonderful sense of fashion and glamour. She wasn't really the kind of girl who put on a lot of makeup. In fact, she hardly ever did. It was not like she did not like to but it was because she didn't need it. She was a natural beauty, and a truly hot one at that. Whatever dress Shaily wore, either she chose such dresses that showed off all her curves perfectly or maybe it was just that her body was so amazingly sexy and heavenly that whatever dress she wore showed her off as a total sexpot.
Shaily pursued Theatre and Dramatics at the Fellicus Institute of Dramatics in Mumbai, India. She was of Punjabi descent, which largely explained the wonderful figure she had and maintained over the years, but she spent most of her childhood in Mumbai. Shaily's parents were both NRIs who mostly lived in the US, where they worked on their business - a fashionable high-end restaurant chain in Downtown Atlanta.
As a child, Shaily lived with her parents in the US, but she had quickly come to despise the life there. Her parents were mostly consumed in running the initial years of their business and had very little time to take care of their daughter. With her parents not around most of the time with only a babysitter who couldn't care less about her, Shaily seemed to be lost in her world. It was then that Shaily's father had decided that it was better for Shaily to live away from them during her formative years where she could be properly taken care of and tended to. Shaily's mom then suggested that her elder sister, Bhatia was the best option available to them.
Mrs. Bhatia or Aunt Bhatia as Shaily affectionately called her, was Shaily's mom's elder sister, whose husband had unfortunately passed away just a few years into their marriage. Aunt Bhatia lived alone in her residence in Mumbai ever since. Shaily's mom opined that Shaily could live with her in Mumbai where Aunt Bhatia could take care of the young Shaily. She reasoned that Aunt Bhatia too would not feel lonely anymore if she had Shaily living with her. The two could get on just fine, she felt. With that, Shaily's mom talked to Aunt Bhatia and after a few days, Shaily flew back to India to live with Aunt Bhatia and as they say, the rest is history.
Shaily shared a great rapport with old Aunt Bhatia. She did initially miss her parents every now and then, but with Aunt Bhatia's unconditional love for her, it didn't take the 10-year old Shaily long to forget about her parents who seemed to be only concerned about building their business and making money and not the well-being of her young daughter.
Shaily never said it explicitly, but Aunt Bhatia understood that Shaily was starting to disregard her parents as time went on. She hardly felt like calling and talking to them like she used to, and it was only their parents who called her once a week to talk to Shaily and Aunt Bhatia. Even when they called, Shaily didn't seem eager to talk to them, only answering their questions with a Yes or No before passing on the call to Aunt Bhatia. Aunt Bhatia did consider talking about this to Shaily, but she didn't want to burden the young child with the matter and just let her be happy.
Aunt Bhatia knew her younger sister well enough. Shaily's mom, Simran or Simi as Aunt Bhatia called her, was quite a materialistic woman right from a pretty young age, and she continued to be so even after the birth of her daughter. Additionally, her husband, Sukhveer was also the same kind, or at least, Aunt Bhatia felt so. It was hardly any surprise to Aunt Bhatia then, that they both fell in love in high-college and married each other. Aunt Bhatia figured that the only way she could make Shaily feel better was by expressing the love she had for her niece in abundant amounts and so she did. She treated her as her own child and loved her and cared for her with all her heart, and she was glad that Shaily was reciprocating it all back to her. As much as Aunt Bhatia considered Shaily as her own child, Shaily considered Aunt Bhatia as more of her biological mom that her aunt.
"Dramatics and Theatrical Arts is where I want to pursue my career, Aunt Bhatia.", Shaily would often say once she started to grow into her adolescent years. Aunt Bhatia was impressed with how Shaily was blossoming into a smart and lovely young girl who took her future and career choices seriously. More than once, Aunt Bhatia's friends mentioned how beautiful Shaily was turning out to be after her puberty, and Aunt Bhatia couldn't be happier. She knew Shaily's presence on stage would be very impressive, if Shaily was right in figuring out where she wanted her career to go. After thinking on it for a few days, Aunt Bhatia talked to Shaily's parents abroad and after their approval, who of course didn't know more about their daughter than Aunt Bhatia herself, Aunt Bhatia and Shaily did some research on which college was best as far as Theatre and Dramatics was concerned. Fellicus Institute of Dramatics was unanimously the best choice all round and so Shaily was admitted into FID the summer that Shaily turned 21.
Dramatics and Theatrical Arts was traditionally an obscure curriculum of the Indian education, but recently Mumbai was setting the stage for it. During their orientation in the first week of college, the dean of FID, Mr. Farooq Abdullah, who had been a major Drama artist in his younger years, and who had setup the college to enable more and more entry into Dramatics, had said, "India has always been a major cinema spectacle, but the potential of Theatre and Dramatics is vastly unexplored here.". He continued, "Do you know that there are more Dramatics and Theatrical festivals happening every year in countries across the world than there are as many film festivals? If you talk to people who attend such festivals regularly, they will tell you why and how much they love Dramatics and Theatre. You, my children, are going to find out and thrive on just that. Come on and get on the ride!".
Hearing Mr. Farooq talk about his life, how and why he had setup FID and his motivating words on what it means to be a Dramatics Artist made Shaily extremely pleased. If there was any doubt in her mind regarding her career choice, hearing the dean's inspiring talk in her freshman orientation convinced her that she was surely in the right place. She knew that next two years at FID were something she would cherish forever. However, at the time, little did she know that the next two years at FID was going to change her life forever.
At the age of 23, Shaily was among the older ones in the class of about 40 students who enrolled for the course of Alternative Dramatics at FID in their sophomore years. While there were a few students who were aged even about 28 to 30 in the same class, the average age of the class was just 21, which meant Shaily was older than the average age. However, that was how it was in FID and students of different ages were encouraged to enrol in the courses offered. In fact, there were a few students who were aged even as old as 40, people who were late in discovering their passion for Arts and Theatre, but still committed enough to pursue them.
Among all the courses, the Alternative Dramatics course was one of the most sought after courses in FID and it also happened to be the only college in India that focussed on the alternative elements of theatrical play. Alternative Dramatics at FID basically explored very deep and stimulating plays that bore a great similarity to the nuance of the soul, the inner-self and various ideas across a broad range of themes. The course wasn't simple by any means and had so much of theory that the students had to study before even trying to start acting. The first three months of the course were spent elaborately on understanding the different styles and approaches to defining what the term 'Alternative' in Dramatics and Arts meant for the viewer and the artist. The syllabus was rigorous but at the same time very entertaining and engaging, more so for Shaily who was immensely passionate for Art. She had never thought she would have to read through so much of theory for a Theatre course, but Shaily felt all the knowledge she gathered to be extremely enriching and she could not wait to delve into formulating and acting in plays.
FID also participated in various Arts and Dramatics events, mostly in India but occasionally in foreign countries as well. Of course, the college offered a total of 10 different courses, all that involved different genres of Dramatics and Theatre. Students were constantly imbibing knowledge through all sorts of courses, both technical and artistic, thinking about new plays with their teachers, learning all the technical challenges involved in creating a play from start to scratch as well as brainstorming on different genres of ideas that would make them stand out in competitions across the world.
Over the next few months, Shaily was part of many different plays that FID showcased across India. They also attended all sorts of events outside the country as FID was just starting to get international recognition for their systematic coursework related to Dramatics as well as the novelty in their ideas they showcased in the events. FID was coming to be known as the 'only Indian college that is focussed on Dramatics' in most of the countries where Dramatics was very well adapted. Adhering to their passion, Shaily as well as all the rest of the students at FID, found it a privilege to be a part of FID and they all religiously focussed on making all their plays perfect under the guidance of their trained teachers.
It was just another day at FID when Shaily was sitting with her batchmates Faisal, Arun, Abhishek, Karan and Jaspinder. In a class that consisted of 40 students, the ratio of boys to girls wasn't impressive, if not abysmal. In the Alternative Dramatics class, there were just 7 girls and 33 boys. It wasn't uncommon for girls to hangout with guys especially in such a curriculum, but it was known that Shaily was more of a 'guy-type' by the rest of the girls in class. While the rest of the girls hung out with each other and only interacted with the boys of the class mostly during brainstorming for group plays or at the cafeteria, Shaily almost exclusively hung-out with the 5 bunch of boys whose names were mentioned.
Of course, Shaily's closest of friends were also Pooja and Anamika who were younger and older to Shaily respectively. While Shaily was 23, Pooja was 19 and Anamika was 27. Shaily especially considered Anamika to be her closest friend apart from her guy friends and always thought of her as no less than an elder sister from another mother. She shared great rapport with Anamika and the latter too was very fond of Shaily and was always protective and supportive of her, her goals and her ambitions. They both shared a very special bond that was formed as a result of knowing each other in and out. Before Shaily started to exclusively hang-out with her guys, Shaily and Anamika would spend nights on end at Anamika's place talking about random things over beer, watching TV shows together, giggling, discussing men, life and whatnot.
Having such a sexy voluptuous body to her name, Shaily had earned quite the admirers from both the genders in her college, especially, of course, the men. Her luscious 36DD breasts and her huge shapely ass accentuated all the sensuous curves in her body that put the whole zero-size ideology to shame. Her stomach was beautifully fleshy, thought not something someone would even remotely call obese or fat. She had beautiful sexy thunderous thighs that all men seemed to lust whenever she wore a short or skirt to show them off. It was all pure sexy meat and flesh, put in all the right places. In addition to that, Shaily had a wonderful sense of fashion and glamour. She wasn't really the kind of girl who put on a lot of makeup. In fact, she hardly ever did. It was not like she did not like to but it was because she didn't need it. She was a natural beauty, and a truly hot one at that. Whatever dress Shaily wore, either she chose such dresses that showed off all her curves perfectly or maybe it was just that her body was so amazingly sexy and heavenly that whatever dress she wore showed her off as a total sexpot.
Shaily pursued Theatre and Dramatics at the Fellicus Institute of Dramatics in Mumbai, India. She was of Punjabi descent, which largely explained the wonderful figure she had and maintained over the years, but she spent most of her childhood in Mumbai. Shaily's parents were both NRIs who mostly lived in the US, where they worked on their business - a fashionable high-end restaurant chain in Downtown Atlanta.
As a child, Shaily lived with her parents in the US, but she had quickly come to despise the life there. Her parents were mostly consumed in running the initial years of their business and had very little time to take care of their daughter. With her parents not around most of the time with only a babysitter who couldn't care less about her, Shaily seemed to be lost in her world. It was then that Shaily's father had decided that it was better for Shaily to live away from them during her formative years where she could be properly taken care of and tended to. Shaily's mom then suggested that her elder sister, Bhatia was the best option available to them.
Mrs. Bhatia or Aunt Bhatia as Shaily affectionately called her, was Shaily's mom's elder sister, whose husband had unfortunately passed away just a few years into their marriage. Aunt Bhatia lived alone in her residence in Mumbai ever since. Shaily's mom opined that Shaily could live with her in Mumbai where Aunt Bhatia could take care of the young Shaily. She reasoned that Aunt Bhatia too would not feel lonely anymore if she had Shaily living with her. The two could get on just fine, she felt. With that, Shaily's mom talked to Aunt Bhatia and after a few days, Shaily flew back to India to live with Aunt Bhatia and as they say, the rest is history.
Shaily shared a great rapport with old Aunt Bhatia. She did initially miss her parents every now and then, but with Aunt Bhatia's unconditional love for her, it didn't take the 10-year old Shaily long to forget about her parents who seemed to be only concerned about building their business and making money and not the well-being of her young daughter.
Shaily never said it explicitly, but Aunt Bhatia understood that Shaily was starting to disregard her parents as time went on. She hardly felt like calling and talking to them like she used to, and it was only their parents who called her once a week to talk to Shaily and Aunt Bhatia. Even when they called, Shaily didn't seem eager to talk to them, only answering their questions with a Yes or No before passing on the call to Aunt Bhatia. Aunt Bhatia did consider talking about this to Shaily, but she didn't want to burden the young child with the matter and just let her be happy.
Aunt Bhatia knew her younger sister well enough. Shaily's mom, Simran or Simi as Aunt Bhatia called her, was quite a materialistic woman right from a pretty young age, and she continued to be so even after the birth of her daughter. Additionally, her husband, Sukhveer was also the same kind, or at least, Aunt Bhatia felt so. It was hardly any surprise to Aunt Bhatia then, that they both fell in love in high-college and married each other. Aunt Bhatia figured that the only way she could make Shaily feel better was by expressing the love she had for her niece in abundant amounts and so she did. She treated her as her own child and loved her and cared for her with all her heart, and she was glad that Shaily was reciprocating it all back to her. As much as Aunt Bhatia considered Shaily as her own child, Shaily considered Aunt Bhatia as more of her biological mom that her aunt.
"Dramatics and Theatrical Arts is where I want to pursue my career, Aunt Bhatia.", Shaily would often say once she started to grow into her adolescent years. Aunt Bhatia was impressed with how Shaily was blossoming into a smart and lovely young girl who took her future and career choices seriously. More than once, Aunt Bhatia's friends mentioned how beautiful Shaily was turning out to be after her puberty, and Aunt Bhatia couldn't be happier. She knew Shaily's presence on stage would be very impressive, if Shaily was right in figuring out where she wanted her career to go. After thinking on it for a few days, Aunt Bhatia talked to Shaily's parents abroad and after their approval, who of course didn't know more about their daughter than Aunt Bhatia herself, Aunt Bhatia and Shaily did some research on which college was best as far as Theatre and Dramatics was concerned. Fellicus Institute of Dramatics was unanimously the best choice all round and so Shaily was admitted into FID the summer that Shaily turned 21.
Dramatics and Theatrical Arts was traditionally an obscure curriculum of the Indian education, but recently Mumbai was setting the stage for it. During their orientation in the first week of college, the dean of FID, Mr. Farooq Abdullah, who had been a major Drama artist in his younger years, and who had setup the college to enable more and more entry into Dramatics, had said, "India has always been a major cinema spectacle, but the potential of Theatre and Dramatics is vastly unexplored here.". He continued, "Do you know that there are more Dramatics and Theatrical festivals happening every year in countries across the world than there are as many film festivals? If you talk to people who attend such festivals regularly, they will tell you why and how much they love Dramatics and Theatre. You, my children, are going to find out and thrive on just that. Come on and get on the ride!".
Hearing Mr. Farooq talk about his life, how and why he had setup FID and his motivating words on what it means to be a Dramatics Artist made Shaily extremely pleased. If there was any doubt in her mind regarding her career choice, hearing the dean's inspiring talk in her freshman orientation convinced her that she was surely in the right place. She knew that next two years at FID were something she would cherish forever. However, at the time, little did she know that the next two years at FID was going to change her life forever.
At the age of 23, Shaily was among the older ones in the class of about 40 students who enrolled for the course of Alternative Dramatics at FID in their sophomore years. While there were a few students who were aged even about 28 to 30 in the same class, the average age of the class was just 21, which meant Shaily was older than the average age. However, that was how it was in FID and students of different ages were encouraged to enrol in the courses offered. In fact, there were a few students who were aged even as old as 40, people who were late in discovering their passion for Arts and Theatre, but still committed enough to pursue them.
Among all the courses, the Alternative Dramatics course was one of the most sought after courses in FID and it also happened to be the only college in India that focussed on the alternative elements of theatrical play. Alternative Dramatics at FID basically explored very deep and stimulating plays that bore a great similarity to the nuance of the soul, the inner-self and various ideas across a broad range of themes. The course wasn't simple by any means and had so much of theory that the students had to study before even trying to start acting. The first three months of the course were spent elaborately on understanding the different styles and approaches to defining what the term 'Alternative' in Dramatics and Arts meant for the viewer and the artist. The syllabus was rigorous but at the same time very entertaining and engaging, more so for Shaily who was immensely passionate for Art. She had never thought she would have to read through so much of theory for a Theatre course, but Shaily felt all the knowledge she gathered to be extremely enriching and she could not wait to delve into formulating and acting in plays.
FID also participated in various Arts and Dramatics events, mostly in India but occasionally in foreign countries as well. Of course, the college offered a total of 10 different courses, all that involved different genres of Dramatics and Theatre. Students were constantly imbibing knowledge through all sorts of courses, both technical and artistic, thinking about new plays with their teachers, learning all the technical challenges involved in creating a play from start to scratch as well as brainstorming on different genres of ideas that would make them stand out in competitions across the world.
Over the next few months, Shaily was part of many different plays that FID showcased across India. They also attended all sorts of events outside the country as FID was just starting to get international recognition for their systematic coursework related to Dramatics as well as the novelty in their ideas they showcased in the events. FID was coming to be known as the 'only Indian college that is focussed on Dramatics' in most of the countries where Dramatics was very well adapted. Adhering to their passion, Shaily as well as all the rest of the students at FID, found it a privilege to be a part of FID and they all religiously focussed on making all their plays perfect under the guidance of their trained teachers.
It was just another day at FID when Shaily was sitting with her batchmates Faisal, Arun, Abhishek, Karan and Jaspinder. In a class that consisted of 40 students, the ratio of boys to girls wasn't impressive, if not abysmal. In the Alternative Dramatics class, there were just 7 girls and 33 boys. It wasn't uncommon for girls to hangout with guys especially in such a curriculum, but it was known that Shaily was more of a 'guy-type' by the rest of the girls in class. While the rest of the girls hung out with each other and only interacted with the boys of the class mostly during brainstorming for group plays or at the cafeteria, Shaily almost exclusively hung-out with the 5 bunch of boys whose names were mentioned.
Of course, Shaily's closest of friends were also Pooja and Anamika who were younger and older to Shaily respectively. While Shaily was 23, Pooja was 19 and Anamika was 27. Shaily especially considered Anamika to be her closest friend apart from her guy friends and always thought of her as no less than an elder sister from another mother. She shared great rapport with Anamika and the latter too was very fond of Shaily and was always protective and supportive of her, her goals and her ambitions. They both shared a very special bond that was formed as a result of knowing each other in and out. Before Shaily started to exclusively hang-out with her guys, Shaily and Anamika would spend nights on end at Anamika's place talking about random things over beer, watching TV shows together, giggling, discussing men, life and whatnot.
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