26-12-2025, 05:20 PM
(This post was last modified: 26-12-2025, 05:31 PM by Greenwood. Edited 1 time in total. Edited 1 time in total.)
Update 50
SCENE: FARMHOUSE – SECRET OFFICE (NEXT MORNING)
Farmhouse ka upper wing.
Party ke baad ka sannata.
Glass ke tukde, adhi saaf hui jagah, par ek private office bilkul intact.
Rathod table ke saamne khada hai.
Face par gussa nahi—
cold calculation.
Uske saamne ek tech-recovery expert baitha hai.
Laptop open.
Multiple hard drives connected.
Tech Expert (low voice):
“Sir, control room ke systems jalaye gaye the…
lekin aag planned thi.
Poora destruction nahi hua.”
Rathod ki aankhon me chamak.
Tech Expert:
“Backup server main system se alag tha.
Cloud mirror bhi tha—
encrypted, par intact.”
Screen par footage load hoti hai.
Glitchy… fragmented… par CLEAR ENOUGH.
---
CCTV FOOTAGE — SLOW MOTION GLIMPSES
Lift ka door khulna
Do ladkiyaan trays ke saath
Guards ka distracted hona
Ek ladki ka confident walk
Ek ladki ka sharp eye movement
Mask, uniform, movement pattern
Frame freeze hota hai.
Rathod screen ke paas aata hai.
Rathod (dheere):
“Yeh koi amateurs nahi the.”
Tech expert ek aur clip open karta hai.
Rahat ka side profile
Ishani ka posture
Lift button press — underground
Rathod ki muskurahat slowly dangerous ban jaati hai.
Rathod:
“Women support group…”
(halki hansi)
“Cute.”
---
CUT TO: RATHOD’S PHONE
Rathod ek number dial karta hai.
Ring…
Ring…
---
SCENE: UNKNOWN LOCATION – DARK ROOM
Ek aadmi kursi par pair faila kar baitha hai.
Table par cigarette, revolver, security officer badge—
purana, ghisa hua.
Naam plate:
RIZA
(Ex-Cop)
Phone vibrate karta hai.
Riza bina screen dekhe call uthata hai.
Riza:
“Bol.”
Rathod (calm):
“Mujhe meri ladki wapas chahiye.
Aur jo use le gaye—
un sab ke naam.”
Riza hansi hansi me cigarette jalata hai.
Riza:
“security officer me hota to file khol leta.
Ab ex-cop hoon…
toh seedha haddiyan todta hoon.”
Rathod ke chehre par satisfaction.
Rathod:
“CCTV recovery mil gayi hai.
Faces nahi…
par patterns clear hain.”
Rathod footage ke screenshots forward karta hai.
---
RIZA – FOOTAGE DEKHTE HUYE
Riza screen par zoom karta hai.
Pause.
Rewind.
Frame-by-frame.
Riza (khud se):
“Confidence…
planning…
andar ka access…”
Wo cigarette extinguish karta hai.
Riza (call par):
“Yeh ladkiyaan court nahi jayengi.
Yeh pehle bhi kuch cases me ghusi hongi.”
Rathod:
“Mujhe sirf ek cheez chahiye, Riza.”
Riza:
“Naam ya laashe?”
Ek beat.
Rathod (cold):
“Dono.”
---
SCENE: RIZA KA DECISION
Riza uthta hai.
Wall se ek old map nikalta hai—city zones marked.
Riza:
“Yeh ladkiyaan professional hain…
par ek cheez bhool jaati hain.”
Rathod:
“Kya?”
Riza (arrogant smile):
“System sirf unka dushman nahi hota.
System ke gire hue log
sabse zyada dangerous hote hain.”
Riza apna jacket uthata hai.
Gun load karta hai.
Riza:
“24 ghante do.
Main pehle unka network trace karunga…
phir unke ghar.”
Call cut.
---
FINAL SHOT
Rathod window ke paas khada hai.
Bahar city dikh rahi hai.
Uske haath me Avantika ka ek purana bracelet.
Rathod (low whisper):
“Game ab shuru hua hai.”
Camera pull back.
END SCENE — COUNTER TRAP ACTIVATED
SCENE 2: AVANTIKA – THE COMPLETE TRUTH (SAME DAY, AFTERNOON)
Middle-class flat.
Curtains aadhi band.
Room me shaanti hai—lekin heavy.
Avantika bed par baithi hai.
Drip chal rahi hai.
Face weak hai, par aankhein clear hain.
Anisha chair par baithi hai,
poora focus Avantika par.
Avantika gehri saans leti hai.
Avantika:
“Main tumhe sab bataungi.
Kuch bhi chhupa ke nahi.”
Anisha aage jhukti hai.
Anisha (soft but firm):
“Hum sunne ke liye hi yahan hain.”
Avantika bolna shuru karti hai—
aur har line ke saath hawa bhari ho jaati hai.
Avantika:
“Rathod sirf mujhe blackmail nahi kar raha tha.
Wo girls supply network chala raha hai.”
Anisha ka chehra sakht ho jaata hai.
Avantika:
“Foreign businessmen…
private parties…
aur jo ladki mana kare—
use nasha, videos, threats.”
Wo rukti hai.
Phir seedha Anisha ki aankhon me dekhti hai.
Iske baad Avantika ka jo bolti hai,
Anisha ki aankhein badi hoti jati hai
Anisha samajh chuki thi—
yeh sirf rescue nahi, war evidence hai.
Wo turant phone uthati hai.
SCENE 3: BEHEN_CODE – FACE-TO-FACE MEET
Location: Wahi middle-class flat (Kabeer ke uncle ka), SAME DAY – EVENING
Flat ke hall me shaam ki halki si roshni faili hui hai.
Curtains aadhe khule hain.
Ek corner me sofa, ek side par dining table.
Avantika bedroom me aaram kar rahi hai.
Hall me Anisha khadi hai, phone haath me.
Uski awaaz me urgency hai, par panic nahi.
Anisha (call par):
“Main tum sab ko yahin bula rahi hoon.
Avantika ready hai…
wo sab batana chahti hai, face to face.”
Cut.
---
MONTAGE – REACTIONS
Arti apne bedroom me, saas ki awaaz kitchen se aa rahi hai.
Wo phone dekhti hai, screen band karti hai—
majboori, gussa, helplessness.
Anushka bank ke cabin me files ke beech khadi hai.
Uska phone vibrate karta hai, wo ek nazar dekhti hai—
phir window ki taraf dekhti hai.
Duty aur zimmedari ke beech phansi hui.
---
BACK TO FLAT
Doorbell bajti hai.
Anisha door kholti hai.
Rahat aur Ishani saamne khadi hain.
Dono ke chehre par serious expressions—
yeh casual visit nahi hai.
Anisha bina kuch kahe unhe andar le aati hai.
Anisha:
“Sirf tum dono aa paayi?”
Rahat:
“Arti ghar se nikal nahi sakti.
Anushka office me phansi hui hai.”
Ishani (seedha):
“Par jo bhi sunna hai…
hum poori tarah sunne aaye hain.”
Kabeer paas hi khada tha.
Wo sir hila kar unhe greet karta hai.
Kabeer:
“Avantika bedroom me hai.
Stable hai… par weak.”
Rahat aur Ishani ek dusre ki taraf dekhte hain—
ek silent understanding.
---
BEDROOM – CONTINUOUS
Avantika bed par baithi hai.
Face pale hai, par aankhon me clarity.
Rahat use dekhte hi ruk jaati hai—
us raat ka flash ek pal ke liye.
Rahat dheere se aage badhti hai.
Rahat (soft):
“Ab kaisi ho?”
Avantika halki si smile karti hai.
Avantika:
“Zinda hoon…
shayad isi liye sach bol pa rahi hoon.”
Ishani paas chair kheench kar baith jaati hai.
Anisha Avantika ke paas hi khadi rehti hai.
Avantika bina role-play ke bolna shuru karti hai—
seedha, saaf, bina aansuon ke.
Avantika:
“Rathod sirf mujhe nahi tod raha tha.
Wo ladkiyon ka ek poora network chala raha hai.
Foreign clients… private parties…
aur jo ladki mana kare—
use drugs, videos, threats.”
Rahat ki ungliyaan dheere dheere mutthi ban jaati hain.
Avantika:
“Uske paas ek digital vault hai.
Videos, names, payments—sab kuch.
Agar wo data court tak pahunch gaya…
toh Rathod ka khel khatam.”
Ishani aankhon me direct focus ke saath poochti hai:
Ishani:
“Vault kahan hai?”
Avantika:
“City office.
Basement ke niche.
Biometric aur manual key—dono.”
Room me ek gehri khamoshi chha jaati hai.
---
HALL – A FEW SECONDS LATER
Rahat, Ishani aur Anisha saath khadi hain.
Kabeer thoda door, lekin sun raha hai.
Rahat:
“Court hearing me sirf 2–3 din bache hain.”
Ishani:
“Aur Rathod tab tak chup nahi baithega.”
Anisha ek saans leti hai—
phir bolti hai, bilkul clear tone me:
Anisha:
“Toh decide hai.
Is baar hum sirf bachane nahi ja rahe.
Is baar hum proof laayenge.”
Rahat uski taraf dekhti hai—
aankhon me wahi purana fire.
Rahat:
“Behen_Code active rehta hai…
chahe poora group saath ho ya nahi.”
Ishani halki si smile karti hai.
Ishani:
“72 hours.
Ya hum jeetenge…
ya Rathod history banega.”
Camera dheere dheere bedroom ke closed door par jaakar rukta hai—
andar Avantika aaram kar rahi hai.
Clock ki tick-tick sunai deti hai.
TIME IS RUNNING.
SCENE: CITY — LATE EVENING / NIGHT CONTINUES
Riza ek chhoti si chai ki tapri par khada hai.
Mobile haath me.
Face par wohi arrogant, thanda confidence.
Uske saamne ek ladka khada hai — local informer type.
Informer (low voice):
“Naam — Rahat.
Radio station me kaam karti hai.
Roz ka route fixed hai.
Rehti yahin paas me… gali number 6.”
Riza bina reaction diye paise aage badha deta hai.
Riza:
“Family?”
Informer:
“Conservative log.
Baap ghar par rehta hai.
Zyada movement nahi.”
Riza halki si muskurahat deta hai.
Riza (khud se):
“Perfect.”
---
SCENE: RAHAT KI GALI – NIGHT
Gali me peeli street light.
Thoda sannata.
Door-door tak cycle, chhoti dukanein band.
Gali ke entrance par ek aadmi khada hai —
Riza.
Normal kapde.
Haath me akhbaar.
Bilkul aam aadmi jaisa.
Wo ghar ke andar nahi jata.
Bas khada rehta hai.
Observe karta hai.
---
CUT TO: ANISHA KA FLAT – NIGHT
Darwaza band hota hai.
Rahat aur Ishani bahar nikalti hain.
Donon thaki hui, par thodi relieved.
Ishani:
“Avantika thodi better lag rahi thi aaj.”
Rahat:
“Haan… par fight abhi khatam nahi hui.”
BACK TO: RIZA — SAME MOMENT
Riza akhbaar upar uthata hai.
Headline padhta hua dikhta hai—
par aankhein sirf ek jagah focused.
Rahat.
Wo chal rahi hai…
Normal walk…
Dupatta sambhalte hue…
Phone bag me rakhte hue.
Riza akbaar ke edge se uska posture, uski body language, uska confidence notice karta hai.
Riza (inner thought):
“Leader vibes…
Decision-maker.”
Rahat uske bilkul paas se nikal jaati hai.
Sirf ek second ke liye—
Rahat ki nazar Riza par padti hai.
Par kuch alag nahi lagta.
Sirf ek aadmi…
akbaar…
gali…
Rahat bina ruke aage badh jaati hai.
---
SLOW MOTION
Rahat ke footsteps door hote jaate hain.
Riza akbaar dheere se neeche karta hai.
Uski aankhon me ek dangerous interest.
Riza (low whisper):
“Mil liya…
ab baari hai samajhne ki.”
RIZA MONOLOGUE
Riza:
“Target confirm.
Female.
Radio background.
Strong network.”
Pause.
Riza:
“Ab main group trace karunga.
Ek-ek karke.”
FINAL SHOT
Riza gali se ulta mud kar chala jaata hai.
Street light ke neeche se guzarta hua—
uska chehra aadha roshni me, aadha andhere me.
Camera Rahat ke ghar par rukta hai.
Lights on hain.
Sab normal lag raha hai.
Par game shuru ho chuka hai.
NEXT SCENE — ISHAANI KA TRAIL
(Silent danger, psychological tension, no one aware)
---
SCENE: CITY STREET – NEXT DAY – CONTINUOUS FLOW
Subah ka time.
Traffic normal.
Log apni life me busy.
Ishani apni scooty par helmet pehne hue nikalti hai.
Phone earphone me laga hua — halki si music.
Camera uske peeche se follow karta hai.
---
CUT TO: DISTANCE SHOT
Thodi door par ek black bike traffic ke beech smoothly move karti hai.
Rider ka helmet ka visor dark hai.
Face dikhta nahi.
Bike kabhi paas…
kabhi door…
RIZA.
---
SCENE: ISHAANI – MOVING POV
Ishani signal par rukti hai.
Phone check karti hai — ek missed call from Restaurant Manager.
Wo call back nahi karti.
Scooty start hoti hai.
Bike bhi signal cross karti hai —
do vehicles peeche.
---
SCENE: RIZA – BIKE POV
Riza side mirror me Ishani ko dekh raha hai.
Riza (inner):
“Model…
Restaurant…
Scooty…
No bodyguard.
Soft target… but not weak.”
Wo bike thodi left leta hai.
Overtake nahi karta.
Bas pattern read karta hai.
---
SCENE: RESTAURANT – DAY
Ishani scooty park karti hai.
Helmet utarti hai.
Hair flip.
Wo restaurant ke andar chali jaati hai.
---
CUT TO: OPPOSITE SIDE CAFE
Riza bike park karta hai.
Helmet nahi utarta.
Cafe ke bahar ek table par baith jata hai.
Black coffee.
Door ke glass se restaurant ka entrance clearly visible.
Camera slow zoom on Riza’s eyes —
calculating… scanning…
---
MONTAGE: RIZA OBSERVES
Ishani customers se baat karti hui
Manager se halki behes
Ek waiter ko instructions
Ek customer se forced smile
Riza (inner):
“Independent.
Dominant.
Emotionally involved.
Group ka second pillar.”
---
SCENE: RESTAURANT EXIT – AFTERNOON
Ishani bahar nikalti hai.
Phone kaan par.
Ishani:
“Haan Rahat…
aaj evening radio ke baad milte hain…”
Riza ka expression slightly sharp hota hai.
---
SCENE: RIZA – LOW VOICE
Riza phone uthata hai.
Ek number dial karta hai.
Riza:
“Confirm ho gaya.
Radio wali ke baad ye second hai.”
Pause.
Riza:
“Ab group ka map banega.”
Call cut.
---
SCENE: STREET – MOVING AGAIN
Ishani scooty par wapas nikalti hai.
Bike phir peeche.
Is baar thoda paas.
Ishani side mirror dekhti hai.
Ek second ke liye bike notice karti hai…
Par traffic me bike common hai.
Wo dhyaan hata leti hai.
---
CLOSE ON: RIZA
Helmet ke andar ek cold smile.
Riza (whisper):
“Tumhe lag raha hai tum free ho…
par tum already mere frame me ho.”
---
END SHOT
Scooty aage badhti hai.
Bike peeche.
City normal chal rahi hai.
Kisi ko kuch pata nahi.
But the net is tightening.
---
? STATUS AFTER THIS SCENE
✔️ Riza ne Ishani ka daily route decode kar liya
✔️ Radio station + restaurant connect ho gaya
❌ Behen_Code still completely unaware
NEXT ACTION SE PAHLE SETUP
(Tension • Decision • Point of No Return)
---
SCENE: ARTI KI HOME LIBRARY – SAME EVENING
Shaam ka waqt.
Library me peeli warm light jal rahi hai.
Bookshelves ke beech ek chhota sa table.
Table par chai ke teen cup — jinme se bhap uth rahi hai, par kisi ne haath tak nahi lagaya.
Arti kursi par baithi hai.
Laptop band.
Phone side me pada hua.
Rahat ek shelf ke paas khadi hai,
arms folded.
Face serious.
Ishani sofa ke edge par baithi hai,
pair restless.
---
DIALOGUE CONTINUOUS
Ishani (low but clear):
“Anisha ne sab detail me bataya…
Avantika kaise waha rakhi gayi thi…
kaun kaun involved tha…”
Rahat:
“Aur yeh bhi ki Rathod sirf ek aadmi nahi hai,
poora system uske sath khada hai.”
---
CUT TO: ARTI
Arti ki aankhen dheere dheere bheeg jati hain.
Wo apni chai ki cup ko dekhti hai —
phir cup ko side me kar deti hai.
Arti (thoda broken):
“Tum dono samajh rahi ho na…
yeh sirf bravery ka case nahi hai.”
Pause.
Arti:
“Yeh directly maut ko challenge karna hai.”
---
SILENCE
Room me sirf wall clock ki tick-tick.
Rahat Arti ko gaur se dekhti hai.
Ishani bhi.
Dono wait kar rahi hain…
ki Arti kya bolegi.
---
ARTI – INNER CONFLICT
Arti (slow, heavy):
“Main soch rahi hoon…
hum kaha fans gaye hain.”
She looks up.
Arti:
“Agar thodi si bhi galti hui…
to hum usi vault me band ho jayenge.”
Arti (voice cracks):
“Na phone…
na madad…
na koi gawah.”
Arti:
“Rathod humein maar kar wahi dafna dega…
aur duniya ko pata bhi nahi chalega.”
---
CUT TO: RAHAT
Rahat ek kadam aage badhti hai.
Rahat (firm):
“Par hum aise baith bhi nahi sakte, Arti.”
Rahat:
“Time almost khatam ho chuka hai.”
---
RAHAT – PRESSURE POINT
Rahat:
“Vicky ka case hum sambhal lenge.
Usme humare paas proof hai…
timeline hai…
faces hai.”
Rahat (intense):
“Par Avantika…”
She stops for a beat.
Rahat:
“Avantika ko bekasoor sabit karne ke liye
sirf ek hi rasta bacha hai.”
---
ISHANI JOINS
Ishani:
“Rathod ke khilaaf solid proof.”
Ishani:
“Direct.
Un-deniable.
Aisa proof jo court ignore na kar sake.”
---
CAMERA: ARTI KE FACE PAR ZOOM
Arti ki aankhon me darr hai…
par us darr ke neeche kuch aur bhi hai —
decision.
Arti (deep breath):
“Chalo.”
Rahat aur Ishani ek saath dekhti hain.
Arti (serious, steady):
“Jo hoga…
milke face karenge.”
---
BEAT
Arti:
“Par usse pehle…”
She slightly leans forward.
---
ARTI – REVELATION
Arti:
“Humein kisi aur ki bhi madad leni hogi.”
---
REACTION SHOT
Rahat aur Ishani
— dono ke chehre par sawal.
Rahat:
“Kis ki?”
Ishani:
“Kaun?”
---
ARTI – LOW, CONTROLLED VOICE
Camera dheere dheere Arti ke face ke aur paas aata hai.
Arti:
“Jo system ko samajhta ho…
jo Rathod jaise logon ka game pehle bhi dekh chuka ho…”
Pause.
Arti:
“Aur jo iss baar beech ka rasta na chune.”
---
END SHOT
Room me phir se silence.
Par ab yeh silence decision ka hai —
darr ka nahi.
Outside, shaam gehri ho rahi hai.
Storm is being prepared.
SCENE: FARMHOUSE – SECRET OFFICE (NEXT MORNING)
Farmhouse ka upper wing.
Party ke baad ka sannata.
Glass ke tukde, adhi saaf hui jagah, par ek private office bilkul intact.
Rathod table ke saamne khada hai.
Face par gussa nahi—
cold calculation.
Uske saamne ek tech-recovery expert baitha hai.
Laptop open.
Multiple hard drives connected.
Tech Expert (low voice):
“Sir, control room ke systems jalaye gaye the…
lekin aag planned thi.
Poora destruction nahi hua.”
Rathod ki aankhon me chamak.
Tech Expert:
“Backup server main system se alag tha.
Cloud mirror bhi tha—
encrypted, par intact.”
Screen par footage load hoti hai.
Glitchy… fragmented… par CLEAR ENOUGH.
---
CCTV FOOTAGE — SLOW MOTION GLIMPSES
Lift ka door khulna
Do ladkiyaan trays ke saath
Guards ka distracted hona
Ek ladki ka confident walk
Ek ladki ka sharp eye movement
Mask, uniform, movement pattern
Frame freeze hota hai.
Rathod screen ke paas aata hai.
Rathod (dheere):
“Yeh koi amateurs nahi the.”
Tech expert ek aur clip open karta hai.
Rahat ka side profile
Ishani ka posture
Lift button press — underground
Rathod ki muskurahat slowly dangerous ban jaati hai.
Rathod:
“Women support group…”
(halki hansi)
“Cute.”
---
CUT TO: RATHOD’S PHONE
Rathod ek number dial karta hai.
Ring…
Ring…
---
SCENE: UNKNOWN LOCATION – DARK ROOM
Ek aadmi kursi par pair faila kar baitha hai.
Table par cigarette, revolver, security officer badge—
purana, ghisa hua.
Naam plate:
RIZA
(Ex-Cop)
Phone vibrate karta hai.
Riza bina screen dekhe call uthata hai.
Riza:
“Bol.”
Rathod (calm):
“Mujhe meri ladki wapas chahiye.
Aur jo use le gaye—
un sab ke naam.”
Riza hansi hansi me cigarette jalata hai.
Riza:
“security officer me hota to file khol leta.
Ab ex-cop hoon…
toh seedha haddiyan todta hoon.”
Rathod ke chehre par satisfaction.
Rathod:
“CCTV recovery mil gayi hai.
Faces nahi…
par patterns clear hain.”
Rathod footage ke screenshots forward karta hai.
---
RIZA – FOOTAGE DEKHTE HUYE
Riza screen par zoom karta hai.
Pause.
Rewind.
Frame-by-frame.
Riza (khud se):
“Confidence…
planning…
andar ka access…”
Wo cigarette extinguish karta hai.
Riza (call par):
“Yeh ladkiyaan court nahi jayengi.
Yeh pehle bhi kuch cases me ghusi hongi.”
Rathod:
“Mujhe sirf ek cheez chahiye, Riza.”
Riza:
“Naam ya laashe?”
Ek beat.
Rathod (cold):
“Dono.”
---
SCENE: RIZA KA DECISION
Riza uthta hai.
Wall se ek old map nikalta hai—city zones marked.
Riza:
“Yeh ladkiyaan professional hain…
par ek cheez bhool jaati hain.”
Rathod:
“Kya?”
Riza (arrogant smile):
“System sirf unka dushman nahi hota.
System ke gire hue log
sabse zyada dangerous hote hain.”
Riza apna jacket uthata hai.
Gun load karta hai.
Riza:
“24 ghante do.
Main pehle unka network trace karunga…
phir unke ghar.”
Call cut.
---
FINAL SHOT
Rathod window ke paas khada hai.
Bahar city dikh rahi hai.
Uske haath me Avantika ka ek purana bracelet.
Rathod (low whisper):
“Game ab shuru hua hai.”
Camera pull back.
END SCENE — COUNTER TRAP ACTIVATED
SCENE 2: AVANTIKA – THE COMPLETE TRUTH (SAME DAY, AFTERNOON)
Middle-class flat.
Curtains aadhi band.
Room me shaanti hai—lekin heavy.
Avantika bed par baithi hai.
Drip chal rahi hai.
Face weak hai, par aankhein clear hain.
Anisha chair par baithi hai,
poora focus Avantika par.
Avantika gehri saans leti hai.
Avantika:
“Main tumhe sab bataungi.
Kuch bhi chhupa ke nahi.”
Anisha aage jhukti hai.
Anisha (soft but firm):
“Hum sunne ke liye hi yahan hain.”
Avantika bolna shuru karti hai—
aur har line ke saath hawa bhari ho jaati hai.
Avantika:
“Rathod sirf mujhe blackmail nahi kar raha tha.
Wo girls supply network chala raha hai.”
Anisha ka chehra sakht ho jaata hai.
Avantika:
“Foreign businessmen…
private parties…
aur jo ladki mana kare—
use nasha, videos, threats.”
Wo rukti hai.
Phir seedha Anisha ki aankhon me dekhti hai.
Iske baad Avantika ka jo bolti hai,
Anisha ki aankhein badi hoti jati hai
Anisha samajh chuki thi—
yeh sirf rescue nahi, war evidence hai.
Wo turant phone uthati hai.
SCENE 3: BEHEN_CODE – FACE-TO-FACE MEET
Location: Wahi middle-class flat (Kabeer ke uncle ka), SAME DAY – EVENING
Flat ke hall me shaam ki halki si roshni faili hui hai.
Curtains aadhe khule hain.
Ek corner me sofa, ek side par dining table.
Avantika bedroom me aaram kar rahi hai.
Hall me Anisha khadi hai, phone haath me.
Uski awaaz me urgency hai, par panic nahi.
Anisha (call par):
“Main tum sab ko yahin bula rahi hoon.
Avantika ready hai…
wo sab batana chahti hai, face to face.”
Cut.
---
MONTAGE – REACTIONS
Arti apne bedroom me, saas ki awaaz kitchen se aa rahi hai.
Wo phone dekhti hai, screen band karti hai—
majboori, gussa, helplessness.
Anushka bank ke cabin me files ke beech khadi hai.
Uska phone vibrate karta hai, wo ek nazar dekhti hai—
phir window ki taraf dekhti hai.
Duty aur zimmedari ke beech phansi hui.
---
BACK TO FLAT
Doorbell bajti hai.
Anisha door kholti hai.
Rahat aur Ishani saamne khadi hain.
Dono ke chehre par serious expressions—
yeh casual visit nahi hai.
Anisha bina kuch kahe unhe andar le aati hai.
Anisha:
“Sirf tum dono aa paayi?”
Rahat:
“Arti ghar se nikal nahi sakti.
Anushka office me phansi hui hai.”
Ishani (seedha):
“Par jo bhi sunna hai…
hum poori tarah sunne aaye hain.”
Kabeer paas hi khada tha.
Wo sir hila kar unhe greet karta hai.
Kabeer:
“Avantika bedroom me hai.
Stable hai… par weak.”
Rahat aur Ishani ek dusre ki taraf dekhte hain—
ek silent understanding.
---
BEDROOM – CONTINUOUS
Avantika bed par baithi hai.
Face pale hai, par aankhon me clarity.
Rahat use dekhte hi ruk jaati hai—
us raat ka flash ek pal ke liye.
Rahat dheere se aage badhti hai.
Rahat (soft):
“Ab kaisi ho?”
Avantika halki si smile karti hai.
Avantika:
“Zinda hoon…
shayad isi liye sach bol pa rahi hoon.”
Ishani paas chair kheench kar baith jaati hai.
Anisha Avantika ke paas hi khadi rehti hai.
Avantika bina role-play ke bolna shuru karti hai—
seedha, saaf, bina aansuon ke.
Avantika:
“Rathod sirf mujhe nahi tod raha tha.
Wo ladkiyon ka ek poora network chala raha hai.
Foreign clients… private parties…
aur jo ladki mana kare—
use drugs, videos, threats.”
Rahat ki ungliyaan dheere dheere mutthi ban jaati hain.
Avantika:
“Uske paas ek digital vault hai.
Videos, names, payments—sab kuch.
Agar wo data court tak pahunch gaya…
toh Rathod ka khel khatam.”
Ishani aankhon me direct focus ke saath poochti hai:
Ishani:
“Vault kahan hai?”
Avantika:
“City office.
Basement ke niche.
Biometric aur manual key—dono.”
Room me ek gehri khamoshi chha jaati hai.
---
HALL – A FEW SECONDS LATER
Rahat, Ishani aur Anisha saath khadi hain.
Kabeer thoda door, lekin sun raha hai.
Rahat:
“Court hearing me sirf 2–3 din bache hain.”
Ishani:
“Aur Rathod tab tak chup nahi baithega.”
Anisha ek saans leti hai—
phir bolti hai, bilkul clear tone me:
Anisha:
“Toh decide hai.
Is baar hum sirf bachane nahi ja rahe.
Is baar hum proof laayenge.”
Rahat uski taraf dekhti hai—
aankhon me wahi purana fire.
Rahat:
“Behen_Code active rehta hai…
chahe poora group saath ho ya nahi.”
Ishani halki si smile karti hai.
Ishani:
“72 hours.
Ya hum jeetenge…
ya Rathod history banega.”
Camera dheere dheere bedroom ke closed door par jaakar rukta hai—
andar Avantika aaram kar rahi hai.
Clock ki tick-tick sunai deti hai.
TIME IS RUNNING.
SCENE: CITY — LATE EVENING / NIGHT CONTINUES
Riza ek chhoti si chai ki tapri par khada hai.
Mobile haath me.
Face par wohi arrogant, thanda confidence.
Uske saamne ek ladka khada hai — local informer type.
Informer (low voice):
“Naam — Rahat.
Radio station me kaam karti hai.
Roz ka route fixed hai.
Rehti yahin paas me… gali number 6.”
Riza bina reaction diye paise aage badha deta hai.
Riza:
“Family?”
Informer:
“Conservative log.
Baap ghar par rehta hai.
Zyada movement nahi.”
Riza halki si muskurahat deta hai.
Riza (khud se):
“Perfect.”
---
SCENE: RAHAT KI GALI – NIGHT
Gali me peeli street light.
Thoda sannata.
Door-door tak cycle, chhoti dukanein band.
Gali ke entrance par ek aadmi khada hai —
Riza.
Normal kapde.
Haath me akhbaar.
Bilkul aam aadmi jaisa.
Wo ghar ke andar nahi jata.
Bas khada rehta hai.
Observe karta hai.
---
CUT TO: ANISHA KA FLAT – NIGHT
Darwaza band hota hai.
Rahat aur Ishani bahar nikalti hain.
Donon thaki hui, par thodi relieved.
Ishani:
“Avantika thodi better lag rahi thi aaj.”
Rahat:
“Haan… par fight abhi khatam nahi hui.”
BACK TO: RIZA — SAME MOMENT
Riza akhbaar upar uthata hai.
Headline padhta hua dikhta hai—
par aankhein sirf ek jagah focused.
Rahat.
Wo chal rahi hai…
Normal walk…
Dupatta sambhalte hue…
Phone bag me rakhte hue.
Riza akbaar ke edge se uska posture, uski body language, uska confidence notice karta hai.
Riza (inner thought):
“Leader vibes…
Decision-maker.”
Rahat uske bilkul paas se nikal jaati hai.
Sirf ek second ke liye—
Rahat ki nazar Riza par padti hai.
Par kuch alag nahi lagta.
Sirf ek aadmi…
akbaar…
gali…
Rahat bina ruke aage badh jaati hai.
---
SLOW MOTION
Rahat ke footsteps door hote jaate hain.
Riza akbaar dheere se neeche karta hai.
Uski aankhon me ek dangerous interest.
Riza (low whisper):
“Mil liya…
ab baari hai samajhne ki.”
RIZA MONOLOGUE
Riza:
“Target confirm.
Female.
Radio background.
Strong network.”
Pause.
Riza:
“Ab main group trace karunga.
Ek-ek karke.”
FINAL SHOT
Riza gali se ulta mud kar chala jaata hai.
Street light ke neeche se guzarta hua—
uska chehra aadha roshni me, aadha andhere me.
Camera Rahat ke ghar par rukta hai.
Lights on hain.
Sab normal lag raha hai.
Par game shuru ho chuka hai.
NEXT SCENE — ISHAANI KA TRAIL
(Silent danger, psychological tension, no one aware)
---
SCENE: CITY STREET – NEXT DAY – CONTINUOUS FLOW
Subah ka time.
Traffic normal.
Log apni life me busy.
Ishani apni scooty par helmet pehne hue nikalti hai.
Phone earphone me laga hua — halki si music.
Camera uske peeche se follow karta hai.
---
CUT TO: DISTANCE SHOT
Thodi door par ek black bike traffic ke beech smoothly move karti hai.
Rider ka helmet ka visor dark hai.
Face dikhta nahi.
Bike kabhi paas…
kabhi door…
RIZA.
---
SCENE: ISHAANI – MOVING POV
Ishani signal par rukti hai.
Phone check karti hai — ek missed call from Restaurant Manager.
Wo call back nahi karti.
Scooty start hoti hai.
Bike bhi signal cross karti hai —
do vehicles peeche.
---
SCENE: RIZA – BIKE POV
Riza side mirror me Ishani ko dekh raha hai.
Riza (inner):
“Model…
Restaurant…
Scooty…
No bodyguard.
Soft target… but not weak.”
Wo bike thodi left leta hai.
Overtake nahi karta.
Bas pattern read karta hai.
---
SCENE: RESTAURANT – DAY
Ishani scooty park karti hai.
Helmet utarti hai.
Hair flip.
Wo restaurant ke andar chali jaati hai.
---
CUT TO: OPPOSITE SIDE CAFE
Riza bike park karta hai.
Helmet nahi utarta.
Cafe ke bahar ek table par baith jata hai.
Black coffee.
Door ke glass se restaurant ka entrance clearly visible.
Camera slow zoom on Riza’s eyes —
calculating… scanning…
---
MONTAGE: RIZA OBSERVES
Ishani customers se baat karti hui
Manager se halki behes
Ek waiter ko instructions
Ek customer se forced smile
Riza (inner):
“Independent.
Dominant.
Emotionally involved.
Group ka second pillar.”
---
SCENE: RESTAURANT EXIT – AFTERNOON
Ishani bahar nikalti hai.
Phone kaan par.
Ishani:
“Haan Rahat…
aaj evening radio ke baad milte hain…”
Riza ka expression slightly sharp hota hai.
---
SCENE: RIZA – LOW VOICE
Riza phone uthata hai.
Ek number dial karta hai.
Riza:
“Confirm ho gaya.
Radio wali ke baad ye second hai.”
Pause.
Riza:
“Ab group ka map banega.”
Call cut.
---
SCENE: STREET – MOVING AGAIN
Ishani scooty par wapas nikalti hai.
Bike phir peeche.
Is baar thoda paas.
Ishani side mirror dekhti hai.
Ek second ke liye bike notice karti hai…
Par traffic me bike common hai.
Wo dhyaan hata leti hai.
---
CLOSE ON: RIZA
Helmet ke andar ek cold smile.
Riza (whisper):
“Tumhe lag raha hai tum free ho…
par tum already mere frame me ho.”
---
END SHOT
Scooty aage badhti hai.
Bike peeche.
City normal chal rahi hai.
Kisi ko kuch pata nahi.
But the net is tightening.
---
? STATUS AFTER THIS SCENE
✔️ Riza ne Ishani ka daily route decode kar liya
✔️ Radio station + restaurant connect ho gaya
❌ Behen_Code still completely unaware
NEXT ACTION SE PAHLE SETUP
(Tension • Decision • Point of No Return)
---
SCENE: ARTI KI HOME LIBRARY – SAME EVENING
Shaam ka waqt.
Library me peeli warm light jal rahi hai.
Bookshelves ke beech ek chhota sa table.
Table par chai ke teen cup — jinme se bhap uth rahi hai, par kisi ne haath tak nahi lagaya.
Arti kursi par baithi hai.
Laptop band.
Phone side me pada hua.
Rahat ek shelf ke paas khadi hai,
arms folded.
Face serious.
Ishani sofa ke edge par baithi hai,
pair restless.
---
DIALOGUE CONTINUOUS
Ishani (low but clear):
“Anisha ne sab detail me bataya…
Avantika kaise waha rakhi gayi thi…
kaun kaun involved tha…”
Rahat:
“Aur yeh bhi ki Rathod sirf ek aadmi nahi hai,
poora system uske sath khada hai.”
---
CUT TO: ARTI
Arti ki aankhen dheere dheere bheeg jati hain.
Wo apni chai ki cup ko dekhti hai —
phir cup ko side me kar deti hai.
Arti (thoda broken):
“Tum dono samajh rahi ho na…
yeh sirf bravery ka case nahi hai.”
Pause.
Arti:
“Yeh directly maut ko challenge karna hai.”
---
SILENCE
Room me sirf wall clock ki tick-tick.
Rahat Arti ko gaur se dekhti hai.
Ishani bhi.
Dono wait kar rahi hain…
ki Arti kya bolegi.
---
ARTI – INNER CONFLICT
Arti (slow, heavy):
“Main soch rahi hoon…
hum kaha fans gaye hain.”
She looks up.
Arti:
“Agar thodi si bhi galti hui…
to hum usi vault me band ho jayenge.”
Arti (voice cracks):
“Na phone…
na madad…
na koi gawah.”
Arti:
“Rathod humein maar kar wahi dafna dega…
aur duniya ko pata bhi nahi chalega.”
---
CUT TO: RAHAT
Rahat ek kadam aage badhti hai.
Rahat (firm):
“Par hum aise baith bhi nahi sakte, Arti.”
Rahat:
“Time almost khatam ho chuka hai.”
---
RAHAT – PRESSURE POINT
Rahat:
“Vicky ka case hum sambhal lenge.
Usme humare paas proof hai…
timeline hai…
faces hai.”
Rahat (intense):
“Par Avantika…”
She stops for a beat.
Rahat:
“Avantika ko bekasoor sabit karne ke liye
sirf ek hi rasta bacha hai.”
---
ISHANI JOINS
Ishani:
“Rathod ke khilaaf solid proof.”
Ishani:
“Direct.
Un-deniable.
Aisa proof jo court ignore na kar sake.”
---
CAMERA: ARTI KE FACE PAR ZOOM
Arti ki aankhon me darr hai…
par us darr ke neeche kuch aur bhi hai —
decision.
Arti (deep breath):
“Chalo.”
Rahat aur Ishani ek saath dekhti hain.
Arti (serious, steady):
“Jo hoga…
milke face karenge.”
---
BEAT
Arti:
“Par usse pehle…”
She slightly leans forward.
---
ARTI – REVELATION
Arti:
“Humein kisi aur ki bhi madad leni hogi.”
---
REACTION SHOT
Rahat aur Ishani
— dono ke chehre par sawal.
Rahat:
“Kis ki?”
Ishani:
“Kaun?”
---
ARTI – LOW, CONTROLLED VOICE
Camera dheere dheere Arti ke face ke aur paas aata hai.
Arti:
“Jo system ko samajhta ho…
jo Rathod jaise logon ka game pehle bhi dekh chuka ho…”
Pause.
Arti:
“Aur jo iss baar beech ka rasta na chune.”
---
END SHOT
Room me phir se silence.
Par ab yeh silence decision ka hai —
darr ka nahi.
Outside, shaam gehri ho rahi hai.
Storm is being prepared.
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