24-12-2025, 09:25 PM
Update 42
Next Update — Sabki Emergency Meeting & Avantika ki USB ka Sach (Revelation Scene)
Avantika office room.
Lighting thodi dim, hawa me sirf tension aur suspense.
Ishaani sabse pehle room me hoti hai.
Uska chehra serious, aankhon me bechaini.
Ek-ek karke sab aa jaate hain —
Rahat, Arti, Anisha… aur saath me Nandita.
Darwaaza band hota hai.
Room bilkul shaant.
Ishaani gehri saans leti hai…
aur bolti hai—
Ishaani (serious tone):
“Jo sach tum sab ko batane wali hoon…
wo Avantika ki zindagi se juda hua hai.”
Sab ki nazrein seedhi Nandita par ja tikti hain.
Nandita apna laptop kholti hai, USB plug karti hai.
Screen on hoti hai.
First video play hota hai.
Ek aadmi camera ke saamne baitha hua,
aankhon me darr, awaaz kaanp rahi hoti hai—
Video me aadmi:
“Raat ko achanak kuch log aaye…
zabardasti ghar khaali karne ke liye…
fake stamp, fake agreement…
humne mana kiya to humein maara-peeta gaya…”
Next clip.
Ek aurat ro rahi hoti hai—
“Hamare bachche andar the…
unka haath pakad ke humein ghar se ghaseet kar nikaala…”
Har video ke saath room ka silence aur bhaari hota jaata hai.
Sabke chehre pe shock, gussa aur dard.
Phir screen par kuch documents open hote hain.
Land papers, agreement scans, signatures, stamp details.
Nandita bolti hai:
“USB me sirf videos nahi hain…
ye papers proof hain ki
Rathod Venture — jo desh ka sabse bada project bola ja raha hai —
asal me illegal hai.
Fake agreements, zabardasti kabza, power ka misuse…”
Pura Behén_Code group jaise jam sa jaata hai.
Arti (dheemi, bharai hui awaaz me):
“Toh yahi hai wo raaz…
jis wajah se Avantika achanak gayab ho gayi…”
Rahat (aankhon me gussa):
“Haan…
aur shayad isi liye
us raat party me Avantika ne humari madad ki thi.
Kyoki wo jaanti thi
yeh sab directly Vicky se juda hua hai.”
Ishaani turant bolti hai:
“Tum sab soch bhi nahi sakte
kitni badi chain hai yeh.
Humein jald se jald
Humera ke ghar ki chhaan-bin karni hogi.
Wahi se sab shuru hua tha.”
Thodi der khamoshi.
Phir Anisha ghabra kar poochti hai—
Anisha:
“Videos me…
kuch pata chala
Avantika ko kahan rakha ja sakta hai?”
Nandita ek aur file open karti hai.
Ek clip jahan background me party ki awaazein hain,
foreign log, glass clinking.
Nandita:
“Ek jagah ka baar-baar mention aaya hai…
jahan Rathod apni secret deals karta hai,
foreign businessmen ke saath parties hoti hain…”
Anisha hairani se poochti hai—
“Kaunsi jagah?”
Nandita screen band karte hue bolti hai—
Nandita (seedhi nazron se dekh kar):
“Rathod ka farmhouse.
Shehar se thoda sa hi bahar.”
Room me ekdum sannata.
Sab ek dusre ka chehra dekhte rehte hain —
jahan darr bhi hai, aur faisla bhi.
Kuch pal baad Arti dheere par pakke andaaz me bolti hai:
“Humein wahan jaakar dekhna hi hoga…
Avantika wahan hai…
ya nahi.”
Sab chup-chaap haan me sir hila dete hain.
Camera dheere-dheere peeche jaata hai…
table ke chaaron taraf baithi
paanch auratein — ek faisle ke saath.
Last shot: Aerial View
Shehar ke upar se camera udata hua
andhere ke beech
ek nayi jang ki shuruaat ka ehsaas deta hai.
Scene fade out.
Next Scene — Arti ki Library | Planning Mode ON
Shaam ka waqt.
Library me halki yellow light, bahar traffic ki dheemi awaaz.
Table ke chaaron taraf Anisha, Rahat, Arti aur Ishaani baithe hue hain.
Table par kuch papers, ek map-type rough sketch aur coffee ke khaali cups.
Sabke chehron par seriousness aur pressure.
Kuch pal tak koi kuch nahi bolta…
sirf clock ki tick-tick awaaz.
Phir Ishaani khamoshi todti hai.
Ishaani:
“Sirf Rathod ke farmhouse tak pahuchna hi kaafi nahi hai…
humein Humera ke ghar bhi jaana hoga.
Ho sakta hai wo ek important link ho.”
Arti turant respond karti hai, thoda practical tone me:
“Time bahut kam hai Ishaani…
isliye ek saath sab kuch possible nahi.
Tum aur Humera, us ki dadi ka ghar check karo.
Aur baaki hum teen
Rathod ke farmhouse me entry ka tareeqa nikalte hain.”
Room me thodi der ke liye phir khamoshi.
Anisha, Rahat aur Ishaani
ek-ek karke haan me gardan hilati hain.
Rahat (serious, focused):
“Farmhouse high security hoga.
Normal entry possible nahi…
humein smart khelna hoga.”
Anisha dheere se bolti hai:
“Aur agar Avantika sach me wahan hui…
toh humein bina delay ke action lena hoga.”
Ishaani Arti ki taraf dekh kar nod karti hai:
“Theek hai.
Main aur Humera, uski dadi ke ghar se jo bhi milega
wo turant tum sab ko update kar dungi.”
Arti table par haath rakh kar ek gehri saans leti hai—
Arti:
“Toh yeh final hai.
Do alag raaste…
par manzil ek hi —
Avantika.”
Camera dheere-dheere unke upar se ghoomta hai.
Chaaro auratein ek dusre ko dekhti hain —
aankhon me darr bhi, aur hausla bhi.
Scene freeze & fade out.
Next Scene — MONTAGE | “Planning in Silence”
1) Arti ka Kitchen
Mixer zor se ghrrrrr karta hai.
Arti haath se mixer ka lid pakde hui hai, aankhein lekin kahin aur —
Rathod ke farmhouse ke khayalon me.
Uske dimag me flashes: ऊँची deewarein… gate… guards… CCTV…
Mixer band hota hai.
Wo ek pal ke liye rukti hai.
Arti (khud se, dheere):
“Gate se jaana impossible hai…
peeche se koi raasta hoga… zaroor hoga…”
Peechhe se maa-ji ki awaaz:
“Arti! Chutney ho gayi ya sapne hi bana rahi ho?”
Arti hichkichate hue mixer dobara chala deti hai.
Par dimaag ab bhi mission mode me hai.
---
2) Scene Change — Rahat ka Ghar | Dinner Table
Rahat plate me roti tod rahi hai,
par uski nazar plate par nahi…
floor par bani ek imaginary map par hai.
Imdad sahab kuch keh rahe hote hain,
Rukhsana roti serve kar rahi hoti hain,
Anish mobile me busy…
Rahat sirf mechanical tareeke se “haan… haan…” bol rahi hai.
Uske dimaag me calculation: “Shift change kab hoti hogi?
Guard pichhli side me kitne honge?
Back wall se jump…?”
Anish uske saamne haath hila deta hai.
Anish:
“Apa… khaana thanda ho raha hai.”
Rahat hosh me aati hai.
Rahat (jabardasti muskurate hue):
“Haan… kha rahi hoon…”
Par uska dimag sirf ek jagah atka hai —
Rathod ka farmhouse.
---
3) Scene Change — Anisha ka PG | Dinner with Friends
Table par tiffin khule hain.
Uski dost hans-hans kar baatein kar rahi hain.
Friend 1:
“Aaj to canteen ka daal killer tha yaar!”
Friend 2:
“Kal bunk maar ke movie chalein?”
Sab hans rahe hain…
par Anisha sirf chamach ghumaye ja rahi hai.
Uske dimaag me sirf Avantika ka chehra.
Bandh kamra.
Zakhm.
Aur Rathod ka naam.
Friend 1 uske saamne haath lehraati hai.
Friend 1:
“Madam! Zameen par wapas aa jao.”
Anisha halka sa smile karti hai.
Anisha:
“Haan… bas… thak gayi hoon.”
Par andar hi andar wo khud se keh rahi hoti hai—
“Avantika… hum aa rahe hain.”
---
4) Scene Change — Ishaani ka Ghar | Akeli, Khamosh
Room me sirf table lamp jal raha hai.
Deewar par uske old photos, modelling shoots.
Ishaani bed par baithi hai,
haath me mobile, par screen off.
Uski aankhon me parents ke jhagde,
apna past,
aur Avantika ka dard — sab mix ho raha hai.
Wo dheere se khud se bolti hai:
Ishaani:
“Sach chahe jitna khatarnak ho…
use bahar aana hi chahiye.”
Wo uth kar window ke paas jaati hai, parde hataati hai.
Bahar andhera hai…
bilkul us raaz ki tarah jisme Avantika phansi hui hai.
---
Final Montage Shot
Fast cuts:
Arti ke haath me chaku ruk jaata hai beech me.
Rahat ki roti aadhi tooti reh jaati hai.
Anisha ka chamach plate me girkar awaaz karta hai.
Ishaani ki aankhon me aansu chamak kar ruk jaata hai.
Sab alag-alag jagah…
par soch ek hi:
“Rathod ka farmhouse.”
Background music slow, tense.
Camera dheere-dheere zoom out karta hai.
Cut to black.
Next Update — “Nayi Subah, Naya Raasta”
Scene 1 — Arti ka Ghar | Subah
Subah ki halki dhoop khidki se andar gir rahi hai.
Arti haath me chai ka garam cup liye dining table par baithi hai.
Newspaper khulta hai…
ek-ek page palat’te hue ek headline par uski nazar ruk jaati hai:
“International Entrepreneur Conference 2025 — India to Host Global Business Giants.”
Arti ruk jaati hai.
Wo article dhyaan se padhne lagti hai.
Jaise-jaise wo padh rahi hoti hai,
uske chehre par tension ki jagah dheere-dheere ek halki si muskan aa jaati hai.
Wo newspaper neeche rakhti hai,
ek pal ke liye upar dekhti hai.
Arti (dheere se):
“Thank you…”
Turant wo article ka photo leti hai
aur Behen_Code group me send karti hai.
Message:
“Mil gaya idea…
Be ready.”
Camera Arti ke confident chehre par thahar jaata hai.
Scene cut.
---
Scene 2 — Ishaani ka Restaurant | Subah ka Shor
Restaurant usual se thoda zyada busy hai.
Plates ki khanak, kitchen se aati awaazein,
manager ka out-of-mood chehra…
Ishaani baar-baar ghadi dekh rahi hai.
Uske chehre par jaldi aur fikr saaf nazar aa rahi hai.
Wo table saaf karti hai,
orders deliver karti hai,
aur phir manager ke paas jaakar bolti hai:
Ishaani:
“Sir, mujhe do ghante ka half-day chahiye… personal kaam hai.”
Manager thoda sa ghoorta hai,
phir haath hila deta hai.
Manager (thaka hua sa):
“Jaldi wapas aana.”
Ishaani bina waqt gawaaye apron utar kar nikal jaati hai.
---
Montage — Ishaani ka Safar
Ishaani tez kadmon se road cross karti hai.
Ek auto pakadti hai.
Shehar ka hustle-bustle – hawkers, traffic, horns.
Auto dheere-dheere Humera ki colony me enter karta hai.
Sadak par bache cricket khel rahe hain.
Do-teen aunties gali ke kone par khade gossip kar rahi hain.
Purani si buildings, tang galiyan — zameen se judi hui zindagi.
Auto rukta hai.
Ishaani paise deti hai,
auto mud kar chala jaata hai.
Wo thoda sa saans leti hai,
phir Humera ke ghar ke saamne jaakar bell bajaati hai.
Ring… Ring…
Kuch pal ki khamoshi.
Phir darwaza khulta hai.
Samne Humera khadi hoti hai.
Aankhon me thakan hai, par Ishaani ko dekhte hi uske chehre par
ek halki si relief wali smile aa jaati hai.
Humera:
“Ishaani… tum?”
Ishaani (slow smile ke saath):
“Haan… andar aa sakti hoon?”
Humera bina kuch kahe side ho jaati hai.
Ishaani ghar ke andar kadam rakhti hai.
Camera dheere-dheere peakar ghar ke andhere hallway me dissolve hota hai…
Cut.
Next Scene — Anushka ka Office | Dopahar ka Sannata
Office ka waqt chal raha hai, lekin Anushka ke cabin me ek ajeeb si khamoshi hai.
AC ki halki si awaaz…
Desktop par files bikhri hui…
Aur Anushka apni kursi par seedhi baithi, aankhon me ek teekhi si alertness.
Wo apna mobile uthati hai
aur Peon Dinesh ko call lagati hai.
Ring… Ring…
Dinesh (phone par):
“Ji madam…”
Anushka (seedhi awaaz me):
“Dinesh, jo notice board par meri meeting ka notice lagaya tha…
uske baare me kisi ne kuch pucha ya reaction diya?”
Dusri taraf kuch pal ki khamoshi.
Dinesh:
“Nahi madam… abhi tak kisi ne kuch bhi nahi pucha. Sab normal hi lag raha hai.”
Anushka khidki ke bahar dekhte hue dheere se bolti hai:
Anushka:
“Achha… theek hai.
Agar koi bhi us notice ke baare me kuch puche…
chahe woh koi bhi ho…
mujhe turant batana.”
Dinesh:
“Ji madam, turant.”
Anushka bina aur kuch kahe phone cut kar deti hai.
Wo apni chair se uth kar khidki ke paas jaakar khadi ho jaati hai.
Neeche log aa-ja rahe hain… sab apni-apni zindagi me masroof.
Uski band aankhein kuch pal ke liye bheench jaati hain.
Sir par bandage ke neeche ab bhi wo chot ki jalan zinda hai.
Anushka (mann me, dheere se):
“Tum jo bhi ho…
jisne bhi mujhe nishana banaya hai…
tum aaoge…
zaroor aaoge…”
Wo dheere se apni ungliyon ko mutthi me band karti hai.
Aankhon me darr nahi,
bas ek khamosh intezaar aur tayyari.
Camera uske reflection par freeze hota hai — glass window me uska saaya dohra ho jata hai.
Scene Cut.
Agla Scene — Humera ka Ghar | Dopahar
Chhota sa, saaf-suthra ghar…
deewaron par purani tasveerein…
aur kamre me ek ajeeb si khamoshi.
Ishani apna bag table par rakhti hai,
USB nikaal kar Humera ke haath me deti hai.
Ishani (gehri awaaz me):
“Is USB me Avantika ke sting videos hain…
illegal eviction, fake agreement, maar-peet…
sab kuch Rathod Ventures se juda hua.”
Humera USB ko jaise pehli baar mehsoos kar rahi ho,
uski aankhein dheere dheere badi ho jaati hain.
Humera (shock me):
“Ishani… mujhe… mujhe is sab ke baare me kuch bhi nahi maloom…
Mujhe to yeh bhi nahi pata tha ki meri dadi kisi agreement ka hissa thi…”
Wo ek pal ruk kar, Ishani ki taraf dekh kar bolti hai:
“Par main tumhari madad zaroor karungi.
Jo bhi sach hai… usse saamne laana hi hoga.”
Ishani uski aankhon me sachchai dekh kar
halki si nod karti hai.
---
Talashi Shuru Hoti Hai
Dono drawing room se shuru karti hain.
Puraane sofa, ek purani si almari…
kuch kagaz, bills… lekin kuch bhi suspicious nahi.
Bedroom.
Bed ke niche… almari ke drawer…
purani dawaaiyan, kapde…
par koi secret kagaz, koi hidden file — kuch nahi.
Living Room.
Deewaar par ghadi,
TV ke niche old magazines…
sab normal.
Bas ek jagah…
deewaar par laga hua ek notice.
Ishani dheere se use utarti hai.
Wahi “Ghar Khali Karne ka Sarkari Notice.”
Ishani use dekhte hue bolti hai:
Ishani:
“Yaha to… bas yahi hai.
Aur kuch bhi nahi.”
Humera us notice ko dekh kar
thoda sa bechain ho jaati hai.
Humera:
“Yeh ghar piche se… jungle ke bilkul paas hai, Ishani.”
Ishani choonk kar uski taraf dekhti hai.
Ishani (questioning look me):
“Jungle?”
Humera:
“Colony ke end se thoda aage jaate hi
seedha jungle shuru ho jaata hai…”
Ek pal ke liye dono ke beech khamoshi chha jaati hai.
Hawa ka halkasa jhonka parde ko hila deta hai.
Ishani ki aankhon me ek naya doubt ubharta hai.
Humera dheere se:
“Kyon na… padosiyon se hi pucha jaye?
Shayad unhe kuch pata ho…”
Ishani bina ek shabd kahe
sir hila deti hai — haan me.
---
Neighbour ke Ghar ki Taraf
Dono ghar se bahar nikalti hain.
Gali me dopahar ki dhoop…
do-teen log charpai par baithe hue…
bachche khelte hue…
Humera samne wale ghar ke darwaaze ki bell bajati hai.
Bell… Ting-Tong…
Ishani us darwaaze ke saamne khadi,
mann me sirf ek hi sawaal:
“Avantika kaha hai… aur yeh jungle is kahani me kaha judta hai?”
Scene Cut.
Next Update — Sabki Emergency Meeting & Avantika ki USB ka Sach (Revelation Scene)
Avantika office room.
Lighting thodi dim, hawa me sirf tension aur suspense.
Ishaani sabse pehle room me hoti hai.
Uska chehra serious, aankhon me bechaini.
Ek-ek karke sab aa jaate hain —
Rahat, Arti, Anisha… aur saath me Nandita.
Darwaaza band hota hai.
Room bilkul shaant.
Ishaani gehri saans leti hai…
aur bolti hai—
Ishaani (serious tone):
“Jo sach tum sab ko batane wali hoon…
wo Avantika ki zindagi se juda hua hai.”
Sab ki nazrein seedhi Nandita par ja tikti hain.
Nandita apna laptop kholti hai, USB plug karti hai.
Screen on hoti hai.
First video play hota hai.
Ek aadmi camera ke saamne baitha hua,
aankhon me darr, awaaz kaanp rahi hoti hai—
Video me aadmi:
“Raat ko achanak kuch log aaye…
zabardasti ghar khaali karne ke liye…
fake stamp, fake agreement…
humne mana kiya to humein maara-peeta gaya…”
Next clip.
Ek aurat ro rahi hoti hai—
“Hamare bachche andar the…
unka haath pakad ke humein ghar se ghaseet kar nikaala…”
Har video ke saath room ka silence aur bhaari hota jaata hai.
Sabke chehre pe shock, gussa aur dard.
Phir screen par kuch documents open hote hain.
Land papers, agreement scans, signatures, stamp details.
Nandita bolti hai:
“USB me sirf videos nahi hain…
ye papers proof hain ki
Rathod Venture — jo desh ka sabse bada project bola ja raha hai —
asal me illegal hai.
Fake agreements, zabardasti kabza, power ka misuse…”
Pura Behén_Code group jaise jam sa jaata hai.
Arti (dheemi, bharai hui awaaz me):
“Toh yahi hai wo raaz…
jis wajah se Avantika achanak gayab ho gayi…”
Rahat (aankhon me gussa):
“Haan…
aur shayad isi liye
us raat party me Avantika ne humari madad ki thi.
Kyoki wo jaanti thi
yeh sab directly Vicky se juda hua hai.”
Ishaani turant bolti hai:
“Tum sab soch bhi nahi sakte
kitni badi chain hai yeh.
Humein jald se jald
Humera ke ghar ki chhaan-bin karni hogi.
Wahi se sab shuru hua tha.”
Thodi der khamoshi.
Phir Anisha ghabra kar poochti hai—
Anisha:
“Videos me…
kuch pata chala
Avantika ko kahan rakha ja sakta hai?”
Nandita ek aur file open karti hai.
Ek clip jahan background me party ki awaazein hain,
foreign log, glass clinking.
Nandita:
“Ek jagah ka baar-baar mention aaya hai…
jahan Rathod apni secret deals karta hai,
foreign businessmen ke saath parties hoti hain…”
Anisha hairani se poochti hai—
“Kaunsi jagah?”
Nandita screen band karte hue bolti hai—
Nandita (seedhi nazron se dekh kar):
“Rathod ka farmhouse.
Shehar se thoda sa hi bahar.”
Room me ekdum sannata.
Sab ek dusre ka chehra dekhte rehte hain —
jahan darr bhi hai, aur faisla bhi.
Kuch pal baad Arti dheere par pakke andaaz me bolti hai:
“Humein wahan jaakar dekhna hi hoga…
Avantika wahan hai…
ya nahi.”
Sab chup-chaap haan me sir hila dete hain.
Camera dheere-dheere peeche jaata hai…
table ke chaaron taraf baithi
paanch auratein — ek faisle ke saath.
Last shot: Aerial View
Shehar ke upar se camera udata hua
andhere ke beech
ek nayi jang ki shuruaat ka ehsaas deta hai.
Scene fade out.
Next Scene — Arti ki Library | Planning Mode ON
Shaam ka waqt.
Library me halki yellow light, bahar traffic ki dheemi awaaz.
Table ke chaaron taraf Anisha, Rahat, Arti aur Ishaani baithe hue hain.
Table par kuch papers, ek map-type rough sketch aur coffee ke khaali cups.
Sabke chehron par seriousness aur pressure.
Kuch pal tak koi kuch nahi bolta…
sirf clock ki tick-tick awaaz.
Phir Ishaani khamoshi todti hai.
Ishaani:
“Sirf Rathod ke farmhouse tak pahuchna hi kaafi nahi hai…
humein Humera ke ghar bhi jaana hoga.
Ho sakta hai wo ek important link ho.”
Arti turant respond karti hai, thoda practical tone me:
“Time bahut kam hai Ishaani…
isliye ek saath sab kuch possible nahi.
Tum aur Humera, us ki dadi ka ghar check karo.
Aur baaki hum teen
Rathod ke farmhouse me entry ka tareeqa nikalte hain.”
Room me thodi der ke liye phir khamoshi.
Anisha, Rahat aur Ishaani
ek-ek karke haan me gardan hilati hain.
Rahat (serious, focused):
“Farmhouse high security hoga.
Normal entry possible nahi…
humein smart khelna hoga.”
Anisha dheere se bolti hai:
“Aur agar Avantika sach me wahan hui…
toh humein bina delay ke action lena hoga.”
Ishaani Arti ki taraf dekh kar nod karti hai:
“Theek hai.
Main aur Humera, uski dadi ke ghar se jo bhi milega
wo turant tum sab ko update kar dungi.”
Arti table par haath rakh kar ek gehri saans leti hai—
Arti:
“Toh yeh final hai.
Do alag raaste…
par manzil ek hi —
Avantika.”
Camera dheere-dheere unke upar se ghoomta hai.
Chaaro auratein ek dusre ko dekhti hain —
aankhon me darr bhi, aur hausla bhi.
Scene freeze & fade out.
Next Scene — MONTAGE | “Planning in Silence”
1) Arti ka Kitchen
Mixer zor se ghrrrrr karta hai.
Arti haath se mixer ka lid pakde hui hai, aankhein lekin kahin aur —
Rathod ke farmhouse ke khayalon me.
Uske dimag me flashes: ऊँची deewarein… gate… guards… CCTV…
Mixer band hota hai.
Wo ek pal ke liye rukti hai.
Arti (khud se, dheere):
“Gate se jaana impossible hai…
peeche se koi raasta hoga… zaroor hoga…”
Peechhe se maa-ji ki awaaz:
“Arti! Chutney ho gayi ya sapne hi bana rahi ho?”
Arti hichkichate hue mixer dobara chala deti hai.
Par dimaag ab bhi mission mode me hai.
---
2) Scene Change — Rahat ka Ghar | Dinner Table
Rahat plate me roti tod rahi hai,
par uski nazar plate par nahi…
floor par bani ek imaginary map par hai.
Imdad sahab kuch keh rahe hote hain,
Rukhsana roti serve kar rahi hoti hain,
Anish mobile me busy…
Rahat sirf mechanical tareeke se “haan… haan…” bol rahi hai.
Uske dimaag me calculation: “Shift change kab hoti hogi?
Guard pichhli side me kitne honge?
Back wall se jump…?”
Anish uske saamne haath hila deta hai.
Anish:
“Apa… khaana thanda ho raha hai.”
Rahat hosh me aati hai.
Rahat (jabardasti muskurate hue):
“Haan… kha rahi hoon…”
Par uska dimag sirf ek jagah atka hai —
Rathod ka farmhouse.
---
3) Scene Change — Anisha ka PG | Dinner with Friends
Table par tiffin khule hain.
Uski dost hans-hans kar baatein kar rahi hain.
Friend 1:
“Aaj to canteen ka daal killer tha yaar!”
Friend 2:
“Kal bunk maar ke movie chalein?”
Sab hans rahe hain…
par Anisha sirf chamach ghumaye ja rahi hai.
Uske dimaag me sirf Avantika ka chehra.
Bandh kamra.
Zakhm.
Aur Rathod ka naam.
Friend 1 uske saamne haath lehraati hai.
Friend 1:
“Madam! Zameen par wapas aa jao.”
Anisha halka sa smile karti hai.
Anisha:
“Haan… bas… thak gayi hoon.”
Par andar hi andar wo khud se keh rahi hoti hai—
“Avantika… hum aa rahe hain.”
---
4) Scene Change — Ishaani ka Ghar | Akeli, Khamosh
Room me sirf table lamp jal raha hai.
Deewar par uske old photos, modelling shoots.
Ishaani bed par baithi hai,
haath me mobile, par screen off.
Uski aankhon me parents ke jhagde,
apna past,
aur Avantika ka dard — sab mix ho raha hai.
Wo dheere se khud se bolti hai:
Ishaani:
“Sach chahe jitna khatarnak ho…
use bahar aana hi chahiye.”
Wo uth kar window ke paas jaati hai, parde hataati hai.
Bahar andhera hai…
bilkul us raaz ki tarah jisme Avantika phansi hui hai.
---
Final Montage Shot
Fast cuts:
Arti ke haath me chaku ruk jaata hai beech me.
Rahat ki roti aadhi tooti reh jaati hai.
Anisha ka chamach plate me girkar awaaz karta hai.
Ishaani ki aankhon me aansu chamak kar ruk jaata hai.
Sab alag-alag jagah…
par soch ek hi:
“Rathod ka farmhouse.”
Background music slow, tense.
Camera dheere-dheere zoom out karta hai.
Cut to black.
Next Update — “Nayi Subah, Naya Raasta”
Scene 1 — Arti ka Ghar | Subah
Subah ki halki dhoop khidki se andar gir rahi hai.
Arti haath me chai ka garam cup liye dining table par baithi hai.
Newspaper khulta hai…
ek-ek page palat’te hue ek headline par uski nazar ruk jaati hai:
“International Entrepreneur Conference 2025 — India to Host Global Business Giants.”
Arti ruk jaati hai.
Wo article dhyaan se padhne lagti hai.
Jaise-jaise wo padh rahi hoti hai,
uske chehre par tension ki jagah dheere-dheere ek halki si muskan aa jaati hai.
Wo newspaper neeche rakhti hai,
ek pal ke liye upar dekhti hai.
Arti (dheere se):
“Thank you…”
Turant wo article ka photo leti hai
aur Behen_Code group me send karti hai.
Message:
“Mil gaya idea…
Be ready.”
Camera Arti ke confident chehre par thahar jaata hai.
Scene cut.
---
Scene 2 — Ishaani ka Restaurant | Subah ka Shor
Restaurant usual se thoda zyada busy hai.
Plates ki khanak, kitchen se aati awaazein,
manager ka out-of-mood chehra…
Ishaani baar-baar ghadi dekh rahi hai.
Uske chehre par jaldi aur fikr saaf nazar aa rahi hai.
Wo table saaf karti hai,
orders deliver karti hai,
aur phir manager ke paas jaakar bolti hai:
Ishaani:
“Sir, mujhe do ghante ka half-day chahiye… personal kaam hai.”
Manager thoda sa ghoorta hai,
phir haath hila deta hai.
Manager (thaka hua sa):
“Jaldi wapas aana.”
Ishaani bina waqt gawaaye apron utar kar nikal jaati hai.
---
Montage — Ishaani ka Safar
Ishaani tez kadmon se road cross karti hai.
Ek auto pakadti hai.
Shehar ka hustle-bustle – hawkers, traffic, horns.
Auto dheere-dheere Humera ki colony me enter karta hai.
Sadak par bache cricket khel rahe hain.
Do-teen aunties gali ke kone par khade gossip kar rahi hain.
Purani si buildings, tang galiyan — zameen se judi hui zindagi.
Auto rukta hai.
Ishaani paise deti hai,
auto mud kar chala jaata hai.
Wo thoda sa saans leti hai,
phir Humera ke ghar ke saamne jaakar bell bajaati hai.
Ring… Ring…
Kuch pal ki khamoshi.
Phir darwaza khulta hai.
Samne Humera khadi hoti hai.
Aankhon me thakan hai, par Ishaani ko dekhte hi uske chehre par
ek halki si relief wali smile aa jaati hai.
Humera:
“Ishaani… tum?”
Ishaani (slow smile ke saath):
“Haan… andar aa sakti hoon?”
Humera bina kuch kahe side ho jaati hai.
Ishaani ghar ke andar kadam rakhti hai.
Camera dheere-dheere peakar ghar ke andhere hallway me dissolve hota hai…
Cut.
Next Scene — Anushka ka Office | Dopahar ka Sannata
Office ka waqt chal raha hai, lekin Anushka ke cabin me ek ajeeb si khamoshi hai.
AC ki halki si awaaz…
Desktop par files bikhri hui…
Aur Anushka apni kursi par seedhi baithi, aankhon me ek teekhi si alertness.
Wo apna mobile uthati hai
aur Peon Dinesh ko call lagati hai.
Ring… Ring…
Dinesh (phone par):
“Ji madam…”
Anushka (seedhi awaaz me):
“Dinesh, jo notice board par meri meeting ka notice lagaya tha…
uske baare me kisi ne kuch pucha ya reaction diya?”
Dusri taraf kuch pal ki khamoshi.
Dinesh:
“Nahi madam… abhi tak kisi ne kuch bhi nahi pucha. Sab normal hi lag raha hai.”
Anushka khidki ke bahar dekhte hue dheere se bolti hai:
Anushka:
“Achha… theek hai.
Agar koi bhi us notice ke baare me kuch puche…
chahe woh koi bhi ho…
mujhe turant batana.”
Dinesh:
“Ji madam, turant.”
Anushka bina aur kuch kahe phone cut kar deti hai.
Wo apni chair se uth kar khidki ke paas jaakar khadi ho jaati hai.
Neeche log aa-ja rahe hain… sab apni-apni zindagi me masroof.
Uski band aankhein kuch pal ke liye bheench jaati hain.
Sir par bandage ke neeche ab bhi wo chot ki jalan zinda hai.
Anushka (mann me, dheere se):
“Tum jo bhi ho…
jisne bhi mujhe nishana banaya hai…
tum aaoge…
zaroor aaoge…”
Wo dheere se apni ungliyon ko mutthi me band karti hai.
Aankhon me darr nahi,
bas ek khamosh intezaar aur tayyari.
Camera uske reflection par freeze hota hai — glass window me uska saaya dohra ho jata hai.
Scene Cut.
Agla Scene — Humera ka Ghar | Dopahar
Chhota sa, saaf-suthra ghar…
deewaron par purani tasveerein…
aur kamre me ek ajeeb si khamoshi.
Ishani apna bag table par rakhti hai,
USB nikaal kar Humera ke haath me deti hai.
Ishani (gehri awaaz me):
“Is USB me Avantika ke sting videos hain…
illegal eviction, fake agreement, maar-peet…
sab kuch Rathod Ventures se juda hua.”
Humera USB ko jaise pehli baar mehsoos kar rahi ho,
uski aankhein dheere dheere badi ho jaati hain.
Humera (shock me):
“Ishani… mujhe… mujhe is sab ke baare me kuch bhi nahi maloom…
Mujhe to yeh bhi nahi pata tha ki meri dadi kisi agreement ka hissa thi…”
Wo ek pal ruk kar, Ishani ki taraf dekh kar bolti hai:
“Par main tumhari madad zaroor karungi.
Jo bhi sach hai… usse saamne laana hi hoga.”
Ishani uski aankhon me sachchai dekh kar
halki si nod karti hai.
---
Talashi Shuru Hoti Hai
Dono drawing room se shuru karti hain.
Puraane sofa, ek purani si almari…
kuch kagaz, bills… lekin kuch bhi suspicious nahi.
Bedroom.
Bed ke niche… almari ke drawer…
purani dawaaiyan, kapde…
par koi secret kagaz, koi hidden file — kuch nahi.
Living Room.
Deewaar par ghadi,
TV ke niche old magazines…
sab normal.
Bas ek jagah…
deewaar par laga hua ek notice.
Ishani dheere se use utarti hai.
Wahi “Ghar Khali Karne ka Sarkari Notice.”
Ishani use dekhte hue bolti hai:
Ishani:
“Yaha to… bas yahi hai.
Aur kuch bhi nahi.”
Humera us notice ko dekh kar
thoda sa bechain ho jaati hai.
Humera:
“Yeh ghar piche se… jungle ke bilkul paas hai, Ishani.”
Ishani choonk kar uski taraf dekhti hai.
Ishani (questioning look me):
“Jungle?”
Humera:
“Colony ke end se thoda aage jaate hi
seedha jungle shuru ho jaata hai…”
Ek pal ke liye dono ke beech khamoshi chha jaati hai.
Hawa ka halkasa jhonka parde ko hila deta hai.
Ishani ki aankhon me ek naya doubt ubharta hai.
Humera dheere se:
“Kyon na… padosiyon se hi pucha jaye?
Shayad unhe kuch pata ho…”
Ishani bina ek shabd kahe
sir hila deti hai — haan me.
---
Neighbour ke Ghar ki Taraf
Dono ghar se bahar nikalti hain.
Gali me dopahar ki dhoop…
do-teen log charpai par baithe hue…
bachche khelte hue…
Humera samne wale ghar ke darwaaze ki bell bajati hai.
Bell… Ting-Tong…
Ishani us darwaaze ke saamne khadi,
mann me sirf ek hi sawaal:
“Avantika kaha hai… aur yeh jungle is kahani me kaha judta hai?”
Scene Cut.
![[+]](https://xossipy.com/themes/sharepoint/collapse_collapsed.png)