24-12-2025, 10:05 AM
(This post was last modified: 24-12-2025, 10:12 AM by Greenwood. Edited 1 time in total. Edited 1 time in total.)
Update 34
SCENE — Vicky Hit & Run Case Se Ek Din Pehle
Cinematic, parallel tension — group vs. Rathod’s farmhouse
INT. GROUP HOUSE / RESTAURANT BACK AREA — EVENING
Kal ki hearing ka pressure sabke chehron par dikh raha tha, lekin is baar unke paas proof tha…
Real, solid, dangerous proof.
Nandita, Humera, Anisha, Ishaani, Anushka, aur thodi der ke liye online joodi Rahat — sab ek jagah sitting area me files, phones aur printouts ke beech me baithe they.
Hawa me ek silent confidence tha.
Nandita (calm, assured):
“Vedios kaafi strong hain. Court ye case aise band nahi karega.
Main agle shocker tak dates ko stretch kar lungi… easily.”
Humera ke kandhon ka bojh pehli baar halka dikh raha tha.
Usne aankhon me aansuon ke sath muskurane ki koshish ki—
Humera:
“Bas… kal judge sach me sun le. Yahi dua hai.”
Anushka:
“Don’t worry. Is baar hum haarenge nahi.”
Ishaani:
“Kal subah sab time par ready rehna.
Next hearing tak hume aur strong banna hoga.”
Sab ek circle me baithe…
Pehli baar poora group ek hi dhun me — justice.
Camera slow dolly-out karta hai…
Unki planning, hope, aur determination ek frame me capture hoti hai.
CUT TO: INT. FARMHOUSE BASEMENT ROOM — SAME TIME
Zameen thandi.
Walls pe damp patches.
Light ek dim tube ki tarah flicker kar rahi.
Vicky ek corner me table par baitha,
Glass me drink ghuma raha hai—
Honth kaanp rahe.
Aankhen laal.
Ghabrahat uske gestures se bhi dikh rahi thi.
Vicky (murmuring):
“They have the videos… agar kal court me… toh main gaya.”
Pas ki wall ke peeche — Avantika ek dusre kamre me baandhi bethi thi.
Rathod room me enter hota hai—
Sharp suit. Cold eyes.
Ek businessman ke chehre par aaj sirf hinsaa aur darr ka shadow tha.
Rathod:
“Vedios uske paas hi honge.
Aur agar woh nahi de rahi…
Hum nikalwa lenge.”
Avantika ko ek dusre room se unki awaaz faintly sunai deti hai—
Uske haath kaanp te hain.
Wo ek corner me khud ko protect karne ki pose me hoti hai.
Rathod ek chhota sa gesture karta hai apne guard ko.
Door swings open.
Do lady security guards room me enter hoti hain—
Sakht, tall, intimidating.
Avantika unhe dekh kar shock me peeche sarak jaati hai—
Uski saansein frantically badhti hui.
Avantika (fear-filled):
“Nahi… nahi PLEASE—
maine kaha na mere paas kuch nahi hai!”
Lady guard uske baalon ko zordaar jhatke se pakad leti hai
Aur use kheech kar room se bahar le jati hai.
Door slam.
Andar se awaaz…
Avantika:
“CHHOD DO! MAT PAKDO!
MAT— AHHHH—”
Camera door ke bahar still rehta hai.
Sirf inside ka muffled chaos sunai deta hai…
Breaking heart, breaking hope.
Vicky drink table par rakh deta hai.
Haath kaanp rahe hain.
Vicky (whisper):
“One day left… bus ek din…”
Rathod palat kar nikal jata hai farmhouse se—
Uske chehre par koi guilt nahi.
Sirf calculation.
---
FADE OUT — SUPER:
“Kal — first hearing.”
SCENE — HEARING DAY MORNING
Cinematic, courtroom drama – tension high from both sides
---
EXT. COURT PREMISES — MORNING
Hawayein halki thand lekar chal rahi thi…
Lekin court ke bahar dono taraf ka tension kisi tufaan se kam nahi tha.
Vicky, apne lawyer Adv. Jagdish Mishra ke sath court ke gate ke paas khada tha.
Uske chehre par gussa… aankhon me zidd… aur ego ka dard.
Doori par Humera, Ishaani, aur Nandita court complex ke andar ki taraf badh rahe the.
Humera ke hont kas ke band… aankhein laal, bina dare seedhi Vicky ki aankhon me takti hui.
Vicky bhi usi intensity se ghoorta hua—
Jaise dono ke beech me poison bhari hawa ho.
Ishaani quietly Humera ka haath pakad leti hai—
Supportive, protective.
Ishaani (softly):
“Chal… hum sab yahin hain.”
Teenon court building ke andar enter karti hain.
---
INT. COURT ROOM — FEW MINUTES LATER
Courtroom me halki halki fufusaahat…
Judge apni seat par aakar baithte hain.
Sab log khade hote hain.
Atmosphere serious.
Nandita confident steps ke sath khadi hoti hai.
---
NANDITA:
“My Lord, mere client Humera ka aarop hai ki Vicky Rathod ne unki dadi ko apni car se kuchla
aur jurrat dekhiye—ghar walon ko chhod, ye khud hospital pahunchkar Humera ko dhamkiyan bhi de kar aaya,
taaki case daba diya jaaye.
Isliye meri vinamr prarthna hai ki court is case ko accept kare.”
Judge sir halka sa head nod karte hain.
---
JUDGE:
“Defence ko kuch kehna hai?”
---
Advocate Jagdish Mishra— slick, confident, insaan kam aur TV show ka villain zyada lagne wala—
smirk ke sath khada hota hai.
---
JAGDISH (mockingly):
“My Lord, kahani to bahut film jaisi likh daali in logon ne…
Ameer ladka dekha, socha paise nikalwa lenge.
Inke ‘accident’ ki koi buniyad nahi.”
---
NANDITA:
“Objection, My Lord!”
---
JUDGE:
“Objection overruled.”
Nandita teeth press karti hai… lekin calm rehti hai.
---
JAGDISH:
“Sach to ye hai, My Lord, ki unki dadi ka koi accident hua hi nahi.
Wo to bas waha phisal kar gir gayi thi.
Aarop jhoote hain. Humare paas saboot bhi hai… aur gawah bhi.”
Courtroom me halki si fufusaahat.
Nandita, Humera, Ishaani ek dusre ki taraf tension me dekhte hain.
---
JUDGE:
“Gawah ko bulaiye.”
---
Court ka door khulta hai.
Ek aadmi — Sevakram, 40s, normal kapde, nervous expression ke sath katghare tak aata hai.
Jagdish usse confidence ke sath introduce karta hai.
---
JAGDISH:
“My Lord, ye hain Sevakram. Inki waha ek chhoti si mobile shop hai…
bilkul wahi jahan yeh so-called accident hua.”
“Haan to Sevakram ji… bataiye us din kya hua tha?”
---
SEVAKRAM (theek se qadam rakhte hue):
“Judge sahab… jyada to yaad nahi…
par haan, itna yaad hai ki main apni dukan me kaam kar raha tha.
Achanak shor hua… aur maine dekha… ek budhi dadi zameen par giri hui thi.
Bas… itna hi.”
---
Camera zoom hota hai:
Humera ka gussa duba hua
Ishaani ka disbelief
Nandita ki steady eyes, jo gawah ko scan kar rahi hain
Vicky ke hothon par halka victorious smirk
Courtroom ki hawa achanak heavy ho jaati hai.
SCENE — COURTROOM: Nandita’s Cross-Examination
Tension at peak. Drama subtle, sharp, courtroom intensity.
---
Judge:
“Advocate Nandita… cross-examination?”
Nandita dheere se uthi— calm, composed, lekin aankhon me woh steel jaisa confidence.
Poora courtroom us par nazar jama deta hai.
Woh katghare me khade Sevakram ke saamne jaakar rukti hai.
Ek halki si smile— jis me challenge bhi hai, aur warning bhi.
---
NANDITA:
“Mr. Sevakram… aapne kaha ki aapne bus shor suna aur fir dadi ko zameen par gira hua dekha.
Sahi?”
---
SEVAKRAM:
“Haan… ji.”
---
NANDITA (slow, controlled voice):
“Matlab…
Aapne accident hote hue nahi dekha.”
Sevakram thoda sa hilta hai.
---
SEVAKRAM:
“Ji… haan matlab… maine accident hote hue nahi dekha…”
---
Courtroom me halki saans ki awaaz.
Jagdish ki gardan ka muscle twitch hota hai.
---
NANDITA:
“Accha… yeh bataiye…
Aapki mobile shop… road se kitni door hai?”
---
SEVAKRAM:
“Bas… thoda sa hi… 10–15 steps…”
---
NANDITA (brows slightly raised):
“10–15 steps?
Matlab… road aapke saamne?”
---
SEVAKRAM:
“Ji haan…”
---
NANDITA (tone suddenly sharp):
“Toh jab accident nahi dekha…
dadi ka girna nahi dekha…
aur car ka guzarna nahi dekha…
toh aapne kis basis par kaha ki wo phisal kar giri?”
Dead silence.
Sevakram hichkicha jata hai.
---
SEVAKRAM:
“Woh… woh… maine suna tha…”
---
NANDITA:
“Kis se suna tha?”
Sevakram jugal karne lagta hai… aankhein idhar-udhar.
---
SEVAKRAM (hichkichahat):
“Bas… log bol rahe the…”
---
NANDITA (firm, crisp):
“Kaun log? Naam bataiye.”
Courtroom me tension aur badhta hai.
Sevakram ko pasina aa jata hai.
---
SEVAKRAM:
“Main… main naam nahi jaanta…”
---
Nandita ek step aage badhti hai— calm but lethal.
---
NANDITA:
“Aapka statement…
aapne security officer ko diya ya defence lawyer ko?”
---
SEVAKRAM (ghabra kar):
“Woh… lawyer sahib ko…”
---
NANDITA:
“Kab?”
---
SEVAKRAM:
“Kal raat ko…”
Aakhri line courtroom me thunderbolt ki tarah girti hai.
Sabki aankhein wide.
Ishaani haath se mooh dhak leti hai.
Humera ki aankhon me gussa + disbelief.
Judge bhi ek second ke liye apne specs ke upar se gawah ko ghoorta hai.
---
NANDITA (voice now icy):
“Matlab…
accident hua tha do hafte pehle.
Aur aap se statement kal raat liya gaya?”
Sevakram bilkul silent.
---
NANDITA (slowly, clean punchline):
“Kyuki asli gawah…
toh abhi tak aage aaya hi nahi.”
“Ya phir…
koi aapki zubaan hi kal raat chalwa ke aaya?”
Vicky ka face tough ho jata hai.
Jagdish stiff ho jaata hai.
Sevakram bilkul lapet me aa gaya tha.
---
NANDITA (towards judge):
“My Lord, witness ki statement doubtful, contradictory aur freshly manufactured lagti hai.
Court se vinamr nivedan hai ki is gawah ki testimony ko reliable na maana jaye.”
Judge serious expression ke sath note karte hain.
---
Camera zoom:
Humera ke honton par halki si aas
Ishaani ki aankhon me proud relief
Vicky ka jaw tighten
Jagdish ka face stiff
Scene cut — tension thicker than ever.
Kahani me twist,sevakram :-
Judge, Nandita, Ishaani — sab us gawah Sevak ki baat sun rahe hote hain. Courtroom me ek dum se ek gandi si silence chaa jaati hai.
Sevak (continuing):
"…par haan, ek car waha se tez gati me nikli thi. Lekin main nahi keh sakta ki usne un dadi ko maara. Ho sakta hai wo gir gayi ho… ya ho sakta hai car ki wajah se hosh kho diya ho. Maine khud accident hote hue nahi dekha."
Ye line sunkar defence lawyer Jagdish ke chehre par ek unchaha expression
Kyuki Sevak ki agli line sakht dhamaka kar deti hai.
Sevak (thoda ruk kar):
"Par ek baat jaroor kahunga, my lord… jab budhiya zameen par thi… uske chehre par ghabrahat thi… jaise kuch chhupa rahi ho."
Courtroom me halki si fufusaahat.
Jagdish ka chehra phik padta hai.
Jagdish:
"My lord, gawah ko confuse mat hone diya jaye—"
Nandita (teekhe tone me):
"Confuse aap ho rahe hain, gawah nahi."
Judge calm gesture karta hai.
Nandita:
"Sevak ji, kya aap courts ko bata sakte hain… kya aapne uss ladke ko dekha jo us din car ke andar tha ??
Sevak ek second sochta hai… fir dheere se kehta hai:
Sevak:
"Haan… us ladke ko maine nahi dekha tha… par waha bhid me bahut ladke they jo chupn khade they… ho sakta hai koi ladka ho unhi me se... Mujhe kuch maloom nahi,
Ishaani turant Humera ka haath zor se pakad leti hai.
Humera ki aankhon me aansu aa jaate hain — par gusse wale, cheeky nahi.
Jagdish (jaldi se):
"My lord, yeh gawah ko gumraah karne ki koshish kar rahe hai. "
Judge:
"Defence lawyer, aapne khud gawah ko bulaya hai. Court gawah ki har line ko note kar raha hai."
Jagdish bilkul chup.
Vicky door se Humera ko ghoorta rehta hai — aankhon me gussa, ego aur… darr.
Judge thoda aage jhuk kar kehta hai:
Judge:
"Prima facie, court ko lagta hai ki yeh case dismiss karne layak nahi, balki further investigation ke liye open hai. Court case ko accept karta hai."
Court me halki si tension wali energy phail jaati hai.
Humera ek lamha aansu rok kar Nandita ko dheere se bolti hai:
"Thank you…"
But Nandita sirf ek confident smile deti hai.
Ishaani ke mann me voice-over style:
"Game ab shuru hui hai, Vicky… ab tujhe hum sab mil kar giraayenge."
CUT TO:
Court ke corridor me Vicky ka ek dead-serious extreme close-up. Uski aankhon me badla, ego aur ek dangerous vow:
Vicky (andar hi andar):
"Humera… tumne galat logon se panga le liya hai."
CINEMATIC MONTAGE — “BEHEN_CODE: Hearing Day’s Tension”
Background music: slow, deep, heartbeat-style thump… thump… thump…
Camera ek-ek karke sab ladkiyon par shift hota hai.
---
**1. ARTI — Home Library / Kitchen
(Soft warm light, but mood tense)
Arti kitchen me chai bana rahi hoti hai.
Hath me chamach, par dimag court me.
MIL ka dialogue background me:
"Arti, zara masale kam hai chai me—"
Arti sun hi nahi paati.
Uski aankhein bas window ki taraf — door ki taraf jaise koi news aa jaaye.
Camera zoom:
Uske phone par notification nahi aayi, par wo phir bhi baar-baar check karti hai.
Cup me chai sab bhar jaati hai… woh almost overflow hone lagti hai.
Arti (under breath):
"Bas… case accept ho jaaye…
Uska chehra silent stress me jala hua.
---
**2. RAHAT — Radio Station Booth
(Blue tint lighting, machines ki light blink)
Rahat ek mic ke samne briefing discuss kar rahi hoti hai apne colleague Arvind se.
Arvind:
"Yeh segment ka intro thoda soft rakhna… listeners emotional—"
Par Rahat ka dhyaan puri tarah uske phone screen par.
Uske samne laptop me audio wave chalte rehte hain… par uski aankhein ekdum blank.
Colleague use hila kar ask karta hai:
Arvind:
"Rahat… are you okay?"
Rahat forced smile.
Rahat:
"Haan haan… just… family stuff."
Camera slow-mo me uski ungli phone ki screen par tap karti hai —
WhatsApp group “BEHEN_CODE ?” — no new message.
She swallows her worry.
---
**3. ANUSHKA — Bank Floor
(Fluorescent tube lights, customers line, keypad clicks)
Anushka ek client ka form fill karwa rahi hoti hai,
par uska chehra normally calm rehta hai — aaj nahi.
Client kuch poochta hai:
“Madam, nominee kaise change hota hai?”
Par Anushka ki aankhein window ke glass se bahar dekh rahi hoti hai.
Dimaag court room me.
Phone counter ke niche rakha hai…
wo chhupke se ek glance leti hai.
Her thoughts:
"Nandita handle kar legi… par phir bhi… Humera akeli mat pad jaaye waha."
Customer coughs.
Anushka jhatke se reality me wapas.
Anushka:
"Haan… sorry… nominee form main fill kar deti hoon."
Lekin haath thoda tremble karta hai.
---
**4. ANISHA — College Canteen
(Colorful, noisy, but in slow-motion for her)
Canteen me bhid, students ki hansi, chatter…
par Anisha ko kuch sunai nahi de raha.
Wo ek cold coffee hilate-hilate bas table ko dekh rahi.
Kabeer saamne baitha hai, par wo bhi equally tense.
Phone dono ke beech meja par rakha hai — jaise bomb ho jiski tick-tick chal rahi ho.
Kabeer ka foot restless tap kar raha.
Anisha fingers nervously fidget.
Kabeer (softly):
"Nandita jeet jayegi na?"
Anisha dheere se sir hila deti hai…
but her eyes say: “I hope so.”
Camera unke dono phones par zoom —
screen blank… koi update nahi.
---
**5. HUMERA & ISHAANI — Courtroom Bench (Earlier)
(Flash-jaisa overlay, just 1 second each)
Humera ke clenched fists
Ishaani ka tight jaw
Vicky ki intense stare
Judge ki gavel ki halki echo
Yeh shots montage ke andar faint overlay me chal rahe —
jaise sab ladkiyan andar hi andar wohi moment baar-baar dekh rahi ho.
---
Final Montage Shot
Camera ek wide cinematic split frame banata hai:
Arti in kitchen
Rahat in studio
Anushka in bank
Anisha & Kabeer in canteen
Sab alag jagah, alag kaam… par sabke chehre ek hi kahani suna rahe— TENSION.
Background heartbeat slow hoti jaati hai…
THUMP… THUMP… THUMP…
Suddenly:
Phone ka ek single vibration sound.
Screen black.
** text appears:
“COURT KA VERDICT AAGAYA HAI…” **
SCENE — Vicky Hit & Run Case Se Ek Din Pehle
Cinematic, parallel tension — group vs. Rathod’s farmhouse
INT. GROUP HOUSE / RESTAURANT BACK AREA — EVENING
Kal ki hearing ka pressure sabke chehron par dikh raha tha, lekin is baar unke paas proof tha…
Real, solid, dangerous proof.
Nandita, Humera, Anisha, Ishaani, Anushka, aur thodi der ke liye online joodi Rahat — sab ek jagah sitting area me files, phones aur printouts ke beech me baithe they.
Hawa me ek silent confidence tha.
Nandita (calm, assured):
“Vedios kaafi strong hain. Court ye case aise band nahi karega.
Main agle shocker tak dates ko stretch kar lungi… easily.”
Humera ke kandhon ka bojh pehli baar halka dikh raha tha.
Usne aankhon me aansuon ke sath muskurane ki koshish ki—
Humera:
“Bas… kal judge sach me sun le. Yahi dua hai.”
Anushka:
“Don’t worry. Is baar hum haarenge nahi.”
Ishaani:
“Kal subah sab time par ready rehna.
Next hearing tak hume aur strong banna hoga.”
Sab ek circle me baithe…
Pehli baar poora group ek hi dhun me — justice.
Camera slow dolly-out karta hai…
Unki planning, hope, aur determination ek frame me capture hoti hai.
CUT TO: INT. FARMHOUSE BASEMENT ROOM — SAME TIME
Zameen thandi.
Walls pe damp patches.
Light ek dim tube ki tarah flicker kar rahi.
Vicky ek corner me table par baitha,
Glass me drink ghuma raha hai—
Honth kaanp rahe.
Aankhen laal.
Ghabrahat uske gestures se bhi dikh rahi thi.
Vicky (murmuring):
“They have the videos… agar kal court me… toh main gaya.”
Pas ki wall ke peeche — Avantika ek dusre kamre me baandhi bethi thi.
Rathod room me enter hota hai—
Sharp suit. Cold eyes.
Ek businessman ke chehre par aaj sirf hinsaa aur darr ka shadow tha.
Rathod:
“Vedios uske paas hi honge.
Aur agar woh nahi de rahi…
Hum nikalwa lenge.”
Avantika ko ek dusre room se unki awaaz faintly sunai deti hai—
Uske haath kaanp te hain.
Wo ek corner me khud ko protect karne ki pose me hoti hai.
Rathod ek chhota sa gesture karta hai apne guard ko.
Door swings open.
Do lady security guards room me enter hoti hain—
Sakht, tall, intimidating.
Avantika unhe dekh kar shock me peeche sarak jaati hai—
Uski saansein frantically badhti hui.
Avantika (fear-filled):
“Nahi… nahi PLEASE—
maine kaha na mere paas kuch nahi hai!”
Lady guard uske baalon ko zordaar jhatke se pakad leti hai
Aur use kheech kar room se bahar le jati hai.
Door slam.
Andar se awaaz…
Avantika:
“CHHOD DO! MAT PAKDO!
MAT— AHHHH—”
Camera door ke bahar still rehta hai.
Sirf inside ka muffled chaos sunai deta hai…
Breaking heart, breaking hope.
Vicky drink table par rakh deta hai.
Haath kaanp rahe hain.
Vicky (whisper):
“One day left… bus ek din…”
Rathod palat kar nikal jata hai farmhouse se—
Uske chehre par koi guilt nahi.
Sirf calculation.
---
FADE OUT — SUPER:
“Kal — first hearing.”
SCENE — HEARING DAY MORNING
Cinematic, courtroom drama – tension high from both sides
---
EXT. COURT PREMISES — MORNING
Hawayein halki thand lekar chal rahi thi…
Lekin court ke bahar dono taraf ka tension kisi tufaan se kam nahi tha.
Vicky, apne lawyer Adv. Jagdish Mishra ke sath court ke gate ke paas khada tha.
Uske chehre par gussa… aankhon me zidd… aur ego ka dard.
Doori par Humera, Ishaani, aur Nandita court complex ke andar ki taraf badh rahe the.
Humera ke hont kas ke band… aankhein laal, bina dare seedhi Vicky ki aankhon me takti hui.
Vicky bhi usi intensity se ghoorta hua—
Jaise dono ke beech me poison bhari hawa ho.
Ishaani quietly Humera ka haath pakad leti hai—
Supportive, protective.
Ishaani (softly):
“Chal… hum sab yahin hain.”
Teenon court building ke andar enter karti hain.
---
INT. COURT ROOM — FEW MINUTES LATER
Courtroom me halki halki fufusaahat…
Judge apni seat par aakar baithte hain.
Sab log khade hote hain.
Atmosphere serious.
Nandita confident steps ke sath khadi hoti hai.
---
NANDITA:
“My Lord, mere client Humera ka aarop hai ki Vicky Rathod ne unki dadi ko apni car se kuchla
aur jurrat dekhiye—ghar walon ko chhod, ye khud hospital pahunchkar Humera ko dhamkiyan bhi de kar aaya,
taaki case daba diya jaaye.
Isliye meri vinamr prarthna hai ki court is case ko accept kare.”
Judge sir halka sa head nod karte hain.
---
JUDGE:
“Defence ko kuch kehna hai?”
---
Advocate Jagdish Mishra— slick, confident, insaan kam aur TV show ka villain zyada lagne wala—
smirk ke sath khada hota hai.
---
JAGDISH (mockingly):
“My Lord, kahani to bahut film jaisi likh daali in logon ne…
Ameer ladka dekha, socha paise nikalwa lenge.
Inke ‘accident’ ki koi buniyad nahi.”
---
NANDITA:
“Objection, My Lord!”
---
JUDGE:
“Objection overruled.”
Nandita teeth press karti hai… lekin calm rehti hai.
---
JAGDISH:
“Sach to ye hai, My Lord, ki unki dadi ka koi accident hua hi nahi.
Wo to bas waha phisal kar gir gayi thi.
Aarop jhoote hain. Humare paas saboot bhi hai… aur gawah bhi.”
Courtroom me halki si fufusaahat.
Nandita, Humera, Ishaani ek dusre ki taraf tension me dekhte hain.
---
JUDGE:
“Gawah ko bulaiye.”
---
Court ka door khulta hai.
Ek aadmi — Sevakram, 40s, normal kapde, nervous expression ke sath katghare tak aata hai.
Jagdish usse confidence ke sath introduce karta hai.
---
JAGDISH:
“My Lord, ye hain Sevakram. Inki waha ek chhoti si mobile shop hai…
bilkul wahi jahan yeh so-called accident hua.”
“Haan to Sevakram ji… bataiye us din kya hua tha?”
---
SEVAKRAM (theek se qadam rakhte hue):
“Judge sahab… jyada to yaad nahi…
par haan, itna yaad hai ki main apni dukan me kaam kar raha tha.
Achanak shor hua… aur maine dekha… ek budhi dadi zameen par giri hui thi.
Bas… itna hi.”
---
Camera zoom hota hai:
Humera ka gussa duba hua
Ishaani ka disbelief
Nandita ki steady eyes, jo gawah ko scan kar rahi hain
Vicky ke hothon par halka victorious smirk
Courtroom ki hawa achanak heavy ho jaati hai.
SCENE — COURTROOM: Nandita’s Cross-Examination
Tension at peak. Drama subtle, sharp, courtroom intensity.
---
Judge:
“Advocate Nandita… cross-examination?”
Nandita dheere se uthi— calm, composed, lekin aankhon me woh steel jaisa confidence.
Poora courtroom us par nazar jama deta hai.
Woh katghare me khade Sevakram ke saamne jaakar rukti hai.
Ek halki si smile— jis me challenge bhi hai, aur warning bhi.
---
NANDITA:
“Mr. Sevakram… aapne kaha ki aapne bus shor suna aur fir dadi ko zameen par gira hua dekha.
Sahi?”
---
SEVAKRAM:
“Haan… ji.”
---
NANDITA (slow, controlled voice):
“Matlab…
Aapne accident hote hue nahi dekha.”
Sevakram thoda sa hilta hai.
---
SEVAKRAM:
“Ji… haan matlab… maine accident hote hue nahi dekha…”
---
Courtroom me halki saans ki awaaz.
Jagdish ki gardan ka muscle twitch hota hai.
---
NANDITA:
“Accha… yeh bataiye…
Aapki mobile shop… road se kitni door hai?”
---
SEVAKRAM:
“Bas… thoda sa hi… 10–15 steps…”
---
NANDITA (brows slightly raised):
“10–15 steps?
Matlab… road aapke saamne?”
---
SEVAKRAM:
“Ji haan…”
---
NANDITA (tone suddenly sharp):
“Toh jab accident nahi dekha…
dadi ka girna nahi dekha…
aur car ka guzarna nahi dekha…
toh aapne kis basis par kaha ki wo phisal kar giri?”
Dead silence.
Sevakram hichkicha jata hai.
---
SEVAKRAM:
“Woh… woh… maine suna tha…”
---
NANDITA:
“Kis se suna tha?”
Sevakram jugal karne lagta hai… aankhein idhar-udhar.
---
SEVAKRAM (hichkichahat):
“Bas… log bol rahe the…”
---
NANDITA (firm, crisp):
“Kaun log? Naam bataiye.”
Courtroom me tension aur badhta hai.
Sevakram ko pasina aa jata hai.
---
SEVAKRAM:
“Main… main naam nahi jaanta…”
---
Nandita ek step aage badhti hai— calm but lethal.
---
NANDITA:
“Aapka statement…
aapne security officer ko diya ya defence lawyer ko?”
---
SEVAKRAM (ghabra kar):
“Woh… lawyer sahib ko…”
---
NANDITA:
“Kab?”
---
SEVAKRAM:
“Kal raat ko…”
Aakhri line courtroom me thunderbolt ki tarah girti hai.
Sabki aankhein wide.
Ishaani haath se mooh dhak leti hai.
Humera ki aankhon me gussa + disbelief.
Judge bhi ek second ke liye apne specs ke upar se gawah ko ghoorta hai.
---
NANDITA (voice now icy):
“Matlab…
accident hua tha do hafte pehle.
Aur aap se statement kal raat liya gaya?”
Sevakram bilkul silent.
---
NANDITA (slowly, clean punchline):
“Kyuki asli gawah…
toh abhi tak aage aaya hi nahi.”
“Ya phir…
koi aapki zubaan hi kal raat chalwa ke aaya?”
Vicky ka face tough ho jata hai.
Jagdish stiff ho jaata hai.
Sevakram bilkul lapet me aa gaya tha.
---
NANDITA (towards judge):
“My Lord, witness ki statement doubtful, contradictory aur freshly manufactured lagti hai.
Court se vinamr nivedan hai ki is gawah ki testimony ko reliable na maana jaye.”
Judge serious expression ke sath note karte hain.
---
Camera zoom:
Humera ke honton par halki si aas
Ishaani ki aankhon me proud relief
Vicky ka jaw tighten
Jagdish ka face stiff
Scene cut — tension thicker than ever.
Kahani me twist,sevakram :-
Judge, Nandita, Ishaani — sab us gawah Sevak ki baat sun rahe hote hain. Courtroom me ek dum se ek gandi si silence chaa jaati hai.
Sevak (continuing):
"…par haan, ek car waha se tez gati me nikli thi. Lekin main nahi keh sakta ki usne un dadi ko maara. Ho sakta hai wo gir gayi ho… ya ho sakta hai car ki wajah se hosh kho diya ho. Maine khud accident hote hue nahi dekha."
Ye line sunkar defence lawyer Jagdish ke chehre par ek unchaha expression
Kyuki Sevak ki agli line sakht dhamaka kar deti hai.
Sevak (thoda ruk kar):
"Par ek baat jaroor kahunga, my lord… jab budhiya zameen par thi… uske chehre par ghabrahat thi… jaise kuch chhupa rahi ho."
Courtroom me halki si fufusaahat.
Jagdish ka chehra phik padta hai.
Jagdish:
"My lord, gawah ko confuse mat hone diya jaye—"
Nandita (teekhe tone me):
"Confuse aap ho rahe hain, gawah nahi."
Judge calm gesture karta hai.
Nandita:
"Sevak ji, kya aap courts ko bata sakte hain… kya aapne uss ladke ko dekha jo us din car ke andar tha ??
Sevak ek second sochta hai… fir dheere se kehta hai:
Sevak:
"Haan… us ladke ko maine nahi dekha tha… par waha bhid me bahut ladke they jo chupn khade they… ho sakta hai koi ladka ho unhi me se... Mujhe kuch maloom nahi,
Ishaani turant Humera ka haath zor se pakad leti hai.
Humera ki aankhon me aansu aa jaate hain — par gusse wale, cheeky nahi.
Jagdish (jaldi se):
"My lord, yeh gawah ko gumraah karne ki koshish kar rahe hai. "
Judge:
"Defence lawyer, aapne khud gawah ko bulaya hai. Court gawah ki har line ko note kar raha hai."
Jagdish bilkul chup.
Vicky door se Humera ko ghoorta rehta hai — aankhon me gussa, ego aur… darr.
Judge thoda aage jhuk kar kehta hai:
Judge:
"Prima facie, court ko lagta hai ki yeh case dismiss karne layak nahi, balki further investigation ke liye open hai. Court case ko accept karta hai."
Court me halki si tension wali energy phail jaati hai.
Humera ek lamha aansu rok kar Nandita ko dheere se bolti hai:
"Thank you…"
But Nandita sirf ek confident smile deti hai.
Ishaani ke mann me voice-over style:
"Game ab shuru hui hai, Vicky… ab tujhe hum sab mil kar giraayenge."
CUT TO:
Court ke corridor me Vicky ka ek dead-serious extreme close-up. Uski aankhon me badla, ego aur ek dangerous vow:
Vicky (andar hi andar):
"Humera… tumne galat logon se panga le liya hai."
CINEMATIC MONTAGE — “BEHEN_CODE: Hearing Day’s Tension”
Background music: slow, deep, heartbeat-style thump… thump… thump…
Camera ek-ek karke sab ladkiyon par shift hota hai.
---
**1. ARTI — Home Library / Kitchen
(Soft warm light, but mood tense)
Arti kitchen me chai bana rahi hoti hai.
Hath me chamach, par dimag court me.
MIL ka dialogue background me:
"Arti, zara masale kam hai chai me—"
Arti sun hi nahi paati.
Uski aankhein bas window ki taraf — door ki taraf jaise koi news aa jaaye.
Camera zoom:
Uske phone par notification nahi aayi, par wo phir bhi baar-baar check karti hai.
Cup me chai sab bhar jaati hai… woh almost overflow hone lagti hai.
Arti (under breath):
"Bas… case accept ho jaaye…
Uska chehra silent stress me jala hua.
---
**2. RAHAT — Radio Station Booth
(Blue tint lighting, machines ki light blink)
Rahat ek mic ke samne briefing discuss kar rahi hoti hai apne colleague Arvind se.
Arvind:
"Yeh segment ka intro thoda soft rakhna… listeners emotional—"
Par Rahat ka dhyaan puri tarah uske phone screen par.
Uske samne laptop me audio wave chalte rehte hain… par uski aankhein ekdum blank.
Colleague use hila kar ask karta hai:
Arvind:
"Rahat… are you okay?"
Rahat forced smile.
Rahat:
"Haan haan… just… family stuff."
Camera slow-mo me uski ungli phone ki screen par tap karti hai —
WhatsApp group “BEHEN_CODE ?” — no new message.
She swallows her worry.
---
**3. ANUSHKA — Bank Floor
(Fluorescent tube lights, customers line, keypad clicks)
Anushka ek client ka form fill karwa rahi hoti hai,
par uska chehra normally calm rehta hai — aaj nahi.
Client kuch poochta hai:
“Madam, nominee kaise change hota hai?”
Par Anushka ki aankhein window ke glass se bahar dekh rahi hoti hai.
Dimaag court room me.
Phone counter ke niche rakha hai…
wo chhupke se ek glance leti hai.
Her thoughts:
"Nandita handle kar legi… par phir bhi… Humera akeli mat pad jaaye waha."
Customer coughs.
Anushka jhatke se reality me wapas.
Anushka:
"Haan… sorry… nominee form main fill kar deti hoon."
Lekin haath thoda tremble karta hai.
---
**4. ANISHA — College Canteen
(Colorful, noisy, but in slow-motion for her)
Canteen me bhid, students ki hansi, chatter…
par Anisha ko kuch sunai nahi de raha.
Wo ek cold coffee hilate-hilate bas table ko dekh rahi.
Kabeer saamne baitha hai, par wo bhi equally tense.
Phone dono ke beech meja par rakha hai — jaise bomb ho jiski tick-tick chal rahi ho.
Kabeer ka foot restless tap kar raha.
Anisha fingers nervously fidget.
Kabeer (softly):
"Nandita jeet jayegi na?"
Anisha dheere se sir hila deti hai…
but her eyes say: “I hope so.”
Camera unke dono phones par zoom —
screen blank… koi update nahi.
---
**5. HUMERA & ISHAANI — Courtroom Bench (Earlier)
(Flash-jaisa overlay, just 1 second each)
Humera ke clenched fists
Ishaani ka tight jaw
Vicky ki intense stare
Judge ki gavel ki halki echo
Yeh shots montage ke andar faint overlay me chal rahe —
jaise sab ladkiyan andar hi andar wohi moment baar-baar dekh rahi ho.
---
Final Montage Shot
Camera ek wide cinematic split frame banata hai:
Arti in kitchen
Rahat in studio
Anushka in bank
Anisha & Kabeer in canteen
Sab alag jagah, alag kaam… par sabke chehre ek hi kahani suna rahe— TENSION.
Background heartbeat slow hoti jaati hai…
THUMP… THUMP… THUMP…
Suddenly:
Phone ka ek single vibration sound.
Screen black.
** text appears:
“COURT KA VERDICT AAGAYA HAI…” **
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