Adultery Knowing My Wife, Knowing Me As Well - part III

[Lollobionda]

I would like to clarify one aspect here, *regardless of how this story has unfolded so far and is still unfinished*:

I will never understand what is going on in a man (but neither will I understand what is going on in some readers 
who are clamouring for Krish to give way to Desai and get out of Meera's life) who says, 
‘Yes, I want to give my wife to another man...’

*I did not read anywhere that Krish said he would or wanted to ‘willingly’ give his wife to another man*.

The cuck-lifestyle is great for a woman who enjoys it a lot, but absolutely degrading for a man.
Women are obviously good at it, mostly using the mental instability of their men/partners for their debauchery and 
the satisfaction of their sexual greed.
Above all, however, they abuse the love and loyalty of their partners in order to have free rein for their extramarital sexual desires.

*... And Meera became bolder the more time passed and eventually became a master in abusing Krish's love* ...

In the beginning, it was Krish who unconsciously awakened the sexual desire in Meera, but with time Meera took a liking
to it and ‘used’ every available opportunity to spread her legs for others (moistly for Desai).

In the third chapter, the author turned the story which was initially a ‘voyeuristic and wife-sharing’ story into one;
psychological and emotional abuse and torture of an otherwise good man (Krish) by Meera, who  spiralling into 
sexual greed and urge for extra-marital sex, exploiting the psychological problem (voyeuristic fantasies) of Krish 
and the scars and trauma of a previous sexual act (Ananya) ...

She has repeatedly used and held up his voyeuristic fantasy as a shield for her debauchery. 
In this way, she has managed to silence Krish time and again.

My conclusion is:
If everything takes its normal path and the author Krish remembers the message of the title of this story, there should 
be no question of a separation between Krish and Meera as this is against the characterisation of the original story.


In this sense
All the best

Lollobionda