My mother and the landlord (Slow burn, long read)

[Paty@123]

Waiting for next update sir

[Max Duncun]

even if it is very detailed ..it is worth the thrill of .."what is next "...

[Leo Arya]

Waiting for the next part bro!!!!

[Paty@123]

Update please sir

[Authorsunny]

Guys,

Sorry I’ve been a little busy.

The next update is almost ready — just proofreading and making a few small changes. I should be able to post the final version late tonight or tomorrow morning.

Stay tuned.

– Sunny

[Hot mom lover]

I have a question: if Uncle Azad isn't actually a drug dealer, how does he manage to send someone to Sunny's house in the middle of the night with such a large sum of money? And is Sunny's mother unwittingly entangling both herself and Sunny in this situation? We are all eagerly awaiting that scene—where Uncle Azad engages in wild, rough sex with Sunny's mother, Anjali, right on Sunny's bed; while Sunny, hiding on the stairs outside the door in the dead of night, watches the scene through the ajar doorway, listening to his mother's intense moans and cries of pleasure, all while masturbating his own erect penis in a state of intense sexual arousal. So, please provide the next update soon.

[Ayush01111]

Guys,

Sorry I’ve been a little busy.

The next update is almost ready — just proofreading and making a few small changes. I should be able to post the final version late tonight or tomorrow morning.

Stay tuned.

– Sunny

I just have a question did son become pevert or he will say no to his mom ever and tell his own feeling or mom we try to understand son

[Paty@123]

Waiting for update plz

[Aragon]

Update kaab ayega bhai!?? Eagerly waiting for it....

[Authorsunny]

Chapter 29 – The Landing
6 December 2025 – Saturday

The latch clicked behind me.

I stayed with my back to the wood for a second because the landing was too open. The yellow corridor tube was still on. Anyone coming up from second would see a twenty-one-year-old in house shorts and a t-shirt, barefoot, standing outside his own door at one in the morning.

Inside, Azad Sahab’s voice came first. Thick. Not lowered.

“This is how it should be, Anjali. You sent him out. Just like that. No drama. That is my jaan.”

She laughed. Small. Then the laugh caught.

“You didn’t have to look at him like that. He is my son. You didn’t have to—”

“Like what?”

“You know like what. The way you looked down. He is twenty-one, Azad Sahab. You didn’t have to shame him in his own house.”

Cloth moved. Net. The bed frame took weight.

“He was already shamed. Don’t act. You saw the shorts. Your boy was standing there with a tent and you still want sympathy for him?”

“That is enough.”

“It is not enough. You did the right thing. You chose. That is why I came up. Not for water.”

I reached up and turned the corridor tube off.

The landing went dark except for the thin line under our door and a faint leftover glow from the stairwell below. I could stand closer now. If I put my ear near the frame, the wood carried more than the air did.

I did that.

Her voice dropped, as if she had decided the closed door was enough.

“Keep your voice down. He is on the stairs. The door is closed. He won’t hear much if we stay like this. Just… not so loud.”

“Let him hear a little. He should know who is in this room.”

“Azad—”

The rest went into a kiss.

Not a short one. Wet. The sound a mouth makes when it does not care about lipstick. Her bangles climbed in a stack and hit each other near what I guessed was his neck. The payal answered once against the wooden edge of the bed.

He pulled off with a sound.

“The whole hall was looking. You know that or not?”

“I know.”

“Dhiraj’s brother-in-law. That contractor from Goregaon. Even the waiters. That V you were so scared of in the afternoon — it did the work. Every time you bent, pallu slipped and people watched more.”

“You told me to leave it unpinned.”

“I told you because it looked correct. You looked like you belonged on my arm. Not like some third-floor woman who got lucky for one night.”

She made a small noise. Not protest. Something warmer.

“Don’t say third-floor like that.”

“Why not? That is what you are. And tonight you walked into Taj like my woman. People asked. I didn’t correct them.”

“What did you tell them?”

“What I wanted. That you are with me. That is enough.”

Another kiss. Longer. His hand must have gone to the blouse because she gasped and the gasp had cloth in it — the short pull of a hook, then a second hook.

“Azad Sahab… the hooks—”

“I paid for this back. I will open it.”

The blouse loosened. I could not see it. I could hear the change in her breath when the satin underneath was the only thing left on her chest.

His voice dropped into the space the hooks had left.

“These. These are what that hall was actually watching. Not the saree. This. Full. Heavy. The V sat on them like it had been cut for this chest only.”

“Don’t start measuring me now.”

“I will start. Mukesh said nine inches. He should have said the rest also. This cleavage could feed a room. Every time you laughed the cups moved and half the table forgot the speech.”

She tried to hush him and failed.

“They are only breasts, Azad Sahab.”

“They are not only anything. Come. Give.”

A wetter sound. Mouth on skin. She sucked air through her teeth.

“Ah— the wire—”

“Leave the wire. I have wanted this since you bent to pour water. You stood in this kitchen with this much showing and told the boy five minutes. Shameless. And still these sit up like they have not been touched all evening.”

“You touched them in the car.”

“Not enough. Hold them together. Like that. Yes. Look at this line. A man could lose his mind in this.”

She giggled, short, then the giggle broke into a hum when his mouth stayed.

“You will leave a mark again.”

“Good. Tomorrow wear a round neck and let the building wonder.”

I was hard again. It had not gone down properly since he looked at the shorts. Standing in the dark made it worse, not better. The humiliation sat in the same place as the wanting. He had graded me in my own room. Useful. Then not useful. Then a joke in thin cloth. She had asked me to shut the door. She had said sorry in the mother-voice while his hand was still on her ribs.

And I was outside with my ear on the wood because I wanted the next sound.

If I had said no — if I had stood in the kitchen and said I was not going — what then. Would they have stopped. Would he have laughed and done it anyway. Would she have pulled the pallu up and sent him down instead. I did not know. The not-knowing had a shape. The shape was: I left, and because I left I was getting this, and a part of me was willing to take the leaving if the door kept giving me her.

I hated that sentence in my own head. I still put my palm on the frame and stayed.

“Slow,” she said. “The wired one is tight. It hurt the whole evening.”

“That was the point.”

“Don’t be like that.”

“You bought it as a surprise and now you want mercy?”

She giggled. The sensible voice and the other voice were both in her throat.

“I bought it because you said. Don’t twist it. At least take the blouse off properly. It will tear.”

A slap of skin. Not hard. Palm on the open back, from the sound. She sucked air.

“Ah — please a little gentle Azad Sahab. It hurts.”

“Harder is good. You have been in my car, in that hall, on this bed, and you still want all this to be gentle? My foot.”

“I am only saying—”

His mouth covered the rest.

I heard the saree. That stiff net sound our cotton never made. He was pulling it up, or she was helping, because the payal rang in a short run, like her foot had left the floor and come back.

“Leave the heels,” he said.

“I can’t stand in them if you—”

“Then don’t stand.”

The mattress took both of them. One heavy drop, then a second, smaller. The old wooden frame creaked the way it creaked when she turned in sleep. This was not sleep.

Kissing again. Lower. She whispered something I lost. Then:

“Your friend. The one with the grey suit. Karan. He stared the whole dinner. His wife was holding his arm and he was still looking at my blouse.”

Silence for half a second.

“What did you say?”

“I am telling you. He looked. When I got up for the restroom he looked at the back also. You didn’t see. I thought you would get angry. You didn’t even notice.”

“Don’t start this.”

“Why? You like when people look. You said it yourself. So I am asking. Did you get jealous or not?”

The slap this time was not on the back. It was shorter. Face, or the side of the face. Not a full hit. Enough that her bangles jumped and she made a shocked sound that turned, immediately, into a laugh she tried to swallow.

“Azad—”

“Say his name again and I will do it properly.”

“I was only teasing.”

“Tease in the hall. Not with another man’s name in this room.”

Cloth tore a little. Or hook-thread. I could not tell. She went breathy.

“All right. All right. I am sorry. Come here.”

The next minutes were mouths and hands. I tracked them by jewellery. Bangles high meant her arms were up. Bangles near the mattress meant her wrists were down. The payal only spoke when her legs moved.

A wet pull, then her voice, thinner.

“You will bite. Not so much on the chest. It shows.”

“Let it show. These deserve teeth. Forty-seven and they still sit like this. The contractor can keep his wife. I have this.”

“Stop comparing.”

“I will compare. Your cleavage did more work tonight than half their jewellery. I saw men forget their glasses. I saw it and I still brought you back to this small bed instead of a hotel. Be grateful.”

“I am. Just… don’t talk so much and do it.”

She tried once more to keep a line.

“At least wear the condom.”

“No.”

“Azad Sahab. Please. You have one. You always keep one. At this hour, in this house—”

“Shut your mouth.”

“I am not saying no. I am saying only that—”

The sentence broke. What came after was not words. It was the sound of her taking him in and failing to stay quiet about it.

A short, punched breath from her. Then a fuller one. The frame took a first slow knock against the wall.

Wet. Skin. The small ugly music two bodies make when there is no more cloth in the way.

He spoke into it, drunk and pleased.

“This is what you wanted since the car. Don’t act holy now.”

“You are— ah — you are too much tonight.”

“Where do you want me to come tonight?”

She waited a second. The bed knocked the wall once, lightly.

“Come inside. Fill me up.”

He laughed against her. The laugh had no kindness and still had liking in it.

“My whore has found her mouth.”

“Don’t use that word.”

“You like when I call you like that. Don’t lie.”

“I did not laugh.”

Another thrust, from the way the frame answered. She stopped arguing.

I was so close to the door that the line of light under it cut my feet. My hand had gone to the front of the shorts without a decision. I pressed once, over the cloth, and the press made the landing tilt. Humiliation did not cancel it. It fed it. He had looked at this same place and made a face. She had seen it and still asked me to go. I was outside doing exactly what that look had accused me of.

I wanted the door open. Not to stop them. To see her. The blouse off, the black satin pushed down, the net at her waist, his mouth on the chest he had just named, his hand where Mukesh had only measured. If the price was standing in the dark like a boy sent out of his own house, some ugly part of me had already paid it.

A step sounded on the stairs.

Not theirs. Below. Two people. Slippers, then a bottle knocking a rail.

I moved back from the door and into the corner where the corridor turned toward the other flat. The wall was cold. I held my breath.

They came up talking, then they stopped talking because our door was doing the work for them.

A man’s voice, low, the kind that wants to be heard by his friend and not by the house.

“Saala. One-thirty and this is going on.”

The second one laughed through his nose.

“What did you think. Afternoon she left looking like a model. Night he comes up. Same floor. Same lock.”

“Randi. Building ki randi ho gayi hai.”

“Keep your voice.”

“Why. Whole second floor can hear if they want. Listen.”

Ma’s moan came through the wood on cue. Not words. A long, open sound she would never have made in June.

The first man swore, pleased.

“See. Shameless. Her boy lives in that same room, madarchod.”

A phone lit the stairwell for a second. I saw the glow on the ceiling before I saw them. Two men from second — I knew the taller one’s back from the compound, the one who hung near the tap in the evenings.

“Look. I took this from our window when they were at the gate. Full item. Blouse, heels, everything.”

“Show.”

They hunched over the screen. I could not see the picture. I did not need to. I had seen the leftover paper on our chair. I had seen her step out of the sedan at twelve-fifty. They had the afternoon version. The building had been passing her around in a gallery while I was still on the fourth floor writing a farewell mail.

“Forward it.”

“Already did. Watchman also saw. He was grinning like a fool.”

They started down again, slower, still listening. One of them said whore a second time, softer, like a taste. Then the stair took them.

I waited until the second-floor latch clicked somewhere below.

Then I went back to our door.

Inside they had got louder.

“Harder,” she said. Clear. No kitchen-voice left. “Azad… harder. Don’t stop.”

“Say what you are.”

“I am— ah — I am yours.”

“Not that. The other thing. The thing you didn’t wear tonight.”

“What—”

“The chain. His chain. You left it in the box. You put my necklace on and you walked into that hall. Say why.”

The bed hit the wall in a steady line now. Anyone on the stair would get the count.

“Because I didn’t want his thing on me tonight.”

“Say it better.”

“Because I am not here as his wife.”

“You are not his anything anymore. Say the word I want.”

She groaned. Fought it. Then gave it, angry and wet at the same time.

“I am a whore. Your whore. Happy?”

“Again.”

“Don’t make me—”

A slap on skin. Ass or the side of the chest, from the sound. She cried out and then pushed the cry into a request.

“Fuck me. Just fuck me. You have been talking since the car.”

He did.

I heard the change. Faster. The old frame complaining. Her bangles out of rhythm. The payal useless now, one heel maybe still on, the other lost on the tile. She started letting the moans run. Not performing for a hall. Performing for him, and not caring that wood is thin.

“Yes. There. Don’t take it out.”

“This house is the size of a bathroom and you still shout.”

“Then put your hand on my mouth. Don’t stop.”

He must have done something like that because the next sounds were muffled, then not, then muffled again, as if her face kept turning.

I stroked over the shorts. Slow, because fast would have made a sound of its own. The landing was dark. The two men were gone. The wanting had moved past the point where I could call it an accident. I thought of taking it out. The dark would have allowed it. The thought of a step on the stair did not. So the hand stayed on cloth, stupid and tight, while the bed on the other side of the wood did the thing I was not allowed to see.

Azad’s voice went crude in a string, the drink doing the grammar.

“Tight even now. After the car. After the hall. You saved this for the room.”

“You didn’t let me breathe in the car.”

“You didn’t want breath.”

“These also. Hold them. Yes. Shake. That is the chest the whole banquet paid to stare at. Mine now.”

“Shut up and—”

She broke into a curse. Her curse. Not his. A word I had not heard her use in twenty-one years in this house. It came out on a thrust and she did not take it back.

He laughed.

“The parlour woman is gone. Good.”

“Don’t talk about the parlour.”

“I will talk. You stood on your feet for eight hours for tips and now you take this. Say thank you.”

“Thank you.”

“With my name.”

“Thank you, Azad Sahab.”

“Better.”

They went on like the rest of the building had been cancelled. Names. Instructions. Her telling him not to pull out. Him telling her she would take it the way he decided. Her answering in the slut-voice and then, two sentences later, in a softer voice that still wanted the same thing.

“Don’t finish yet.”

“Why.”

“Because I asked.”

“You don’t ask tonight.”

“Please.”

That please was not the condom please. It was the other one.

I put my forehead to the door. The wood smelled of old paint. Inside she said his name in a run, no Sahab, only Azad, and the run went up.

A latch opened to my left.

Not ours.

The other flat on our floor. Uncle — I did not even have his name clean in my head, only the cough in the mornings and the radio at seven. He stepped out in a baniyan, squinting at the dark corridor as if the dark itself were the offence.

He looked at our door.

He heard what I was hearing.

He did not knock. He stood in his own strip of light and said it at the wood, not loud, not soft.

“Shameless people. In a family building. Woman has no limit left.”

“Randi saali. The son lives in that same house and she is taking it like a bitch on that bed. No shame, no fear, nothing. Night after night with Azad, this slut business. Whole floor has to listen to this filthy show.”

Then a worse word, aimed at her, the same family of words the men on the stair had used. “Kutiya. The building’s Kutiya, that is what she has become. Let the boy hear also. He should know what his mother is.”

He waited, as if the door might open and answer. It did not. He spat to the side of his threshold, went back in, and shut his latch hard enough to make a point.

I had flattened against the turn of the wall again. He had not seen me. Or he had seen a shadow and decided he did not want a witness. Either way I was still on my own landing, hand still on myself, listening to my mother ask a man to finish inside her on the bed I slept on.

I went back.

They were near the end. You can hear that even through a door. The talk gets shorter. The frame gets honest.

“I am there,” she said. “Don’t stop. Azad. I am there.”

“Take it. Take all of it.”

“I am — I am —”

The sound she made then was not a word. It went through the wood and down the stairwell and anyone awake on second would have sat up. It climbed, broke, and then kept breaking in smaller pieces, as if her body had gone ahead of her mouth. The bed slammed twice, messy, not in time.

He followed with a curse of his own, low and finished, no performance left in it. A long groan against her, the kind a man makes when he has already decided not to pull out. The frame jerked once more and held.

I heard her after that, wrecked and specific.

“Inside. I can feel it. Don’t move yet.”

He swore again, softer, pleased.

“Taken. Whole thing. That is how this night ends.”

The bed kept a few small after-moves. Then it did not.

A shoe or a heel hit the floor.

Her breathing was the loudest thing in the flat. His was heavier, drunk-heavy, settling.

On my side of the door it went at the same time. I had not taken it out. I had only kept the pressure through the cloth, stupid and tight, and the last of her cry did the rest. The release was sudden and useless and almost silent. Heat first, then the wet spreading in the shorts, a small ugly patch that would show if anyone switched the tube on. I kept my hand there a second too long, then took it off as if the landing could smell it.

Forty minutes. Maybe forty-five. I had not checked the phone. I did not take it out now.

Whispers.

I had to put my ear to the gap above the latch to get them.

He spoke first, still on the sex, as if the room had not changed.

“You will feel this for few days. Wear a saree only. Nothing tight on top. I want those visible when I see you next.”

She gave a small spent laugh.

“I can’t think about clothes.”

“Think. I want it.”

“You are already talking about next.”

“Yes.”

A kiss. Slow. Almost ordinary.

Then she said it.

“I love you.”

The words were clear. Not thrown. Placed.

He moved. Cloth. A grunt as he shifted his weight. I did not hear I love you back. I heard him say something about her mouth and about the blouse and about how she had looked on her knees in his head in that hall. Sex-talk, leftover.

She spoke over it, quieter, the romantic line trying to live in the same air.

“I mean it. Tonight I felt it properly. In that room, with all those people, I still wanted to come back here with you. Not because of the clothes. I love you, Azad.”

Jewellery made a tired sound. She was touching his face, or his chest. I could only guess.

He answered with a hum. Or a word too low for the wood. Then nothing I could use.

Water. Someone sat up. The bottle on the folding table clicked against the steel glass.

Pin-drop after that.

The fan. A scooter far down the lane. His breathing going toward sleep or toward the heavy quiet drink gives. Hers evening out beside it.

No one called my name.

No one opened the latch.

I stood in the dark corridor and looked at the strip of light under my own door.

If I knocked, I became the boy again. If I waited, I remained the ear against the wood. If I went down the stairs I would be in the compound at two in the morning in wet shorts, with the watchman, with the sedan still in the strip.

I did not move.

The silence inside held.

I held with it.

[Jeshwanth]

Such a amazing update, just wow!

[Paty@123]

Mother along with Azad humiliating her own son as if tomorrow is not there, till this day only Ladies in the compound were talking about her as bitch, now all the compound including watchman will also humiliate the son, will it be acceptable to son? What kind of a mother she is?

[saka1981]

This episode makes one thing painfully clear: Sunny’s mother and Azad have completely stopped seeing Sunny as a human being with feelings, dignity, and self-respect. What hurts even more is seeing Sunny himself break down so completely that he is willing to hearing his own mother to have sex with Azad.

Lust has consumed both mother and son to the point where every boundary seems to have disappeared. Anjali has not only failed as a mother—she has completely lost the very identity of being one.

And now Azad seems ready to treat Sunny like a slave, while Anjali is prepared to watch it happen with happiness. That is what makes this episode so disturbing: it is not just about lust anymore; it is about the complete destruction of love, dignity, and the mother–son bond.

Finally, just one thing—She has completely lost the moral right to ever tell , “I raised you without a husband. I sacrificed everything and suffered so much just to bring you up.” After what she has done, those words no longer carry the same meaning. SHe can’t use her past sacrifices as a shield anymore.

I’m not saying that Azad and Anjali having sex is wrong. They could have done it privately, in a hotel or somewhere else. But why does Anjali need to have this kind of sex in front of Sunny, treating him like a slave and sending him out while he is still wearing the clothes he has on? Why does she need this kind of lust when Sunny is right there?

[wxxxx]

[wxxxx]

Readers expected that in an apartment layout like this, Sunny could have easily witnessed and overheard the perverse sexual acts and obscene talk between his mother, Anjali, and the landlord, Mr. Azad, simply by turning off the lights in the kitchen and living room and peering through the gap in the bedroom door. I thank the author, "Authorsunny," for releasing "Chapter 29 – The Landing (6 December 2025 – Saturday)" to the readers.

[Ayush01111]

I just wish sunny leave building for 2 days dont take any call and come back monday morning pack bag and dont listion just leave

[Aragon]

Probably the best update till now.... Just amazing.. Keep going bro... Please post the next part ASAP.

[wxxxx]

This episode makes one thing painfully clear: Sunny’s mother and Azad have completely stopped seeing Sunny as a human being with feelings, dignity, and self-respect. What hurts even more is seeing Sunny himself break down so completely that he is willing to hearing his own mother to have sex with Azad.

Lust has consumed both mother and son to the point where every boundary seems to have disappeared. Anjali has not only failed as a mother—she has completely lost the very identity of being one.

And now Azad seems ready to treat Sunny like a slave, while Anjali is prepared to watch it happen with happiness. That is what makes this episode so disturbing: it is not just about lust anymore; it is about the complete destruction of love, dignity, and the mother–son bond.

Finally, just one thing—She has completely lost the moral right to ever tell , “I raised you without a husband. I sacrificed everything and suffered so much just to bring you up.” After what she has done, those words no longer carry the same meaning. SHe can’t use her past sacrifices as a shield anymore.

I’m not saying that Azad and Anjali having sex is wrong. They could have done it privately, in a hotel or somewhere else. But why does Anjali need to have this kind of sex in front of Sunny, treating him like a slave and sending him out while he is still wearing the clothes he has on? Why does she need this kind of lust when Sunny is right there?

Most readers believe that it was the right decision for Sunny's mother, Anjali, to bring the landlord, Mr. Azad, into her own flat; Sunny, too, has mentally accepted the relationship between his mother and Mr. Azad. However, Sunny prefers to observe the situation secretly; because his mother asked him to close the door to his room, he was deprived of the chance to watch casually, and this has left him feeling upset. I sincerely apologize for disagreeing with the esteemed author, saka1981.

[saka1981]

Most readers believe that it was the right decision for Sunny's mother, Anjali, to bring the landlord, Mr. Azad, into her own flat; Sunny, too, has mentally accepted the relationship between his mother and Mr. Azad. However, Sunny prefers to observe the situation secretly; because his mother asked him to close the door to his room, he was deprived of the chance to watch casually, and this has left him feeling upset. I sincerely apologize for disagreeing with the esteemed author, saka1981.

Are you really saying that it is acceptable for a mother to humiliate her own son and then have a sexual relationship with Azad?.

This is the very same house where Sunny’s father and mother lived together as a family. How can it be considered acceptable for a mother to have an affair in that house after sending her 20-year-old son away—a young man who has barely experienced life and still knows very little about the outside world?
Sunny hasn’t even fully accepted his mother’s affair yet. He is still struggling internally, trying to process what he has seen and what it means for his relationship with his mother. His mind is already fighting against his emotions.

That is why I don’t understand Azad’s choice either. He could have taken Anjali to his own house and kept their relationship private. Why make Sunny endure even more humiliation?

What makes this scene so painful is that Sunny has already been reduced to someone who is treated like a slave in front of his own mother. And then he has to live with the knowledge that the same man who humiliates him is also having a sexual relationship with his mother.

At that point, this is no longer just about an affair or sexual desire. It is about a son’s dignity, his trust in his mother, and the emotional damage caused when the people closest to him become part of his humiliation. How is Sunny supposed to process all of that?

But watching her own son being treated like a slave right in front of her eyes, and then seeing that same man have sex with her… what can you even call that?

[CoreMadness]

I am not surprised, she will fall from grace more and more....

She will find drunken state as an excuse next morning for sure, saying we cannot control Azad when he is drunk. Sorry beta don't make a face, Sorry beta you have to see all that, Sorry beta one night of awkwardness is not going to break anything or a big deal....

Never ending nonsense of normalization of cringefest.

I am still reading this story to see if there would light at the end of tunnel, not for stupid sex between old uncle and aunties. Only reading for Sunny to see if he will grow spine or eventually end up on a chair before them watching...